heget: juliana's art of Faron and Faelindis (faron faelindis)
Beren's Band of the Red Hand -
The First



Arodreth blamed his old age for his bull-headed stubbornness. He was not of the first hundred and forty-four to wake in the starlight of Cuiviénen, but others forgot he did not count among Unbegotten, for he was old enough to remember the Great Journey. He could recount for everyone the climb over both mountain ranges, the great river that lay between them, and the terror that the initial encounter with the sea had given him. Despite the touch of Ulmo in his mind to quiet that fear of the vast roaring ocean, Arodreth did not forget. Ulmo could take awake the fear, but the Vala could not erase the memory of that first impression. With stubborn contrariness Arodreth avoided the ocean, staying inland where the sound of waves could not reach him. Like any of his tribe, he loved water and the music created by waterfalls and rivers, but the great sea he mistrusted. The old elf had no desire to cross the ocean, so when King Elu disappeared, he gladly attached himself to the search parties that stayed. He dug his heels into the shore and bade good riddance to the last leg of the journey. When the king returned with a new queen at his side, Arodreth was content to sacrifice the chance to see the light of the Two Trees if it meant never seeing the sea.

Arodreth was old and experienced and had risen high in the active defenses of his kingdom before the queen’s Girdle removed need. Stubbornness was rich soil in which to grow wounded pride. If the old soldier listened one more time to the king’s newest adviser make snide remarks on how his shield and sword was too rusted and superfluous, he vowed to use said sword on Saeros and welcome the consequences. Mablung, captain of the March-wardens, begged vainly for Arodreth to stay. Again the old elf dug his heels and turned around.

The retired soldier went to his farm below the Taeglin to grow roses and avoid the efforts of his steward to find him a wife. He mediated disputes between his people and the newly arrived Noldor and tried to convince himself that he was content. His stubbornness kept him there until a quarrel had him chasing after a pair of angry and half-familiar eyes. Those eyes took him to the recently constructed city of Nargothrond, where its new king and commander of the guard asked Arodreth to stay. They needed someone to train soldiers for Nargothrond’s defense. Mablung had boasted of Arodreth’s skill with the sword, but not half as often as he had of Arodreth’s efforts to lead soldiers during the first battles of Beleriand or his ability to take callow men and make rangers of them. With Nargothrond’s king both wealthy and charismatic, the commander welcoming and humble enough to defer to Arodreth’s experience, and their need so obvious, the old elf accepted the opportunity for meaningful work once more. He abandoned his roses to shake the rust off his sword.

The other reason, unspoken and obvious, was the biting tongue and angry eyes of the woman that Arodreth recognized too late. Her multi-colored silks replaced by a chateliane’s keys, he mistook the woman as younger, as someone who had not seen him quake with fear before the roaring of ocean waves. She had been a high lady among the Sindar, politically active and wise, before the orcs overran her land and then some Noldor prince built a castle and claimed it as his own. Befriending the sister of the king of Nargothrond in lieu of nothing else, she latched onto Felagund as a student worthy of her advice. Arodreth almost pitied the young king. Fish metaphors took little to become grating, but the king only ever seemed amused by them. The new city under the bank of the River Narog gave her a home and an army of servants to boss around, kept her busy enough to forget grief and sated her need for revenge.

The sight of the former lady scolding the king about taxation policies as she trailed after him carrying his laundry never failed to brighten Arodreth’s day. “She treats him like he was her dullard son,” he said to the commander of the guard.

The commander shrugged. Undoubtedly the king found the motherly concern wrapped in ocean metaphors to be comforting. The commander did not tell Arodreth that the older man’s grousing and stories of the Great Journey or his many years of service for the rulers of Menegroth was just as familiar and comforting, that he thought of Arodreth as a replacement for the father he had left, as did all the rangers who trained under the old elf. He said nothing of how all of Nargothrond knew why Arodreth demanded so often his boots be re-polished, invited himself to the steward’s weekly meetings, made the maids hide smiles when he repeated some insult about teeth and lion-fish hoping someone could explain, or why rangers ran messages down to the steam laundries as often as the training yards. Arodreth still hated the sea, but he could retell at least seven different sayings about the tides, how they waited for no one and could not be commanded and how some boats did not rise at the same time, and everyone knew why. They knew the true reason why the stubborn old man came out of retirement to guard and advise a strange king in the first place. The commander of Nargothrond would be the first to admit he had no interest in romance, but still he lived vicariously through those he knew. There was a bet circulating that the commander hoped to win on the day Arodreth’s finger wore a golden band. Old Mother Swan and Old Father Bull were the secret epessës the rangers of Nargothrond called them, the two ancient elves too stubborn to admit their affection.

Arodreth was old enough to have seen stone wither away as trees would. He mistook neither as permanent and knew no creation of elves shared their immortality, be it a sword or a garden or a crown. He was sure there was some aphorism about impermanence involving the ocean, though he was loathe to ask the woman who knew. Still, in his stubbornness he thought his time would be longer.

The chatelaine disliked her king’s plans to aid the mortal, but disliked the idea of him betraying a friend and a life-oath more. She disliked his abdication most of all, and swore by all the pike-fish in the sea that this was stupider than trying to reel in a great-shark. The king did not tell her he had once done so as a child with his grandfather and maternal cousins. “I shall not be fishing alone,” he did say to tease and reassure, but the woman harrumphed and scowled. Ten fools would accompany the king and the mortal, and the one she accounted the greatest fool was among them.

Arodreth had thrown his lot in with Felagund, and old wounds on his pride burned when the city rejected them. He would not hide when his sword and shield was needed. He said farewell to the woman with fierce and familiar eyes, comparing his resolve to the tide. She did not tell him of what the Lady Galadriel had foretold, that her death and his had been seen if she did not stay close to Arodreth and he to her. “The tide always returns,” she told him instead. “You would know that if you ever spent time at the sea.”

Arodreth thought about rings, about making a silver one in the shape of roses or a diving swan, but he had never asked, and now his hands were empty. The commander watched and said nothing as Arodreth turned his heels and charged away.

That stubbornness kept Arodreth standing during a wizard’s duel of songs of power, holding up a shaking mortal as the werewolves closed in. Stripped naked and chained to the bottom-most pit of the dungeon, he focused on the memory of a pair of angry eyes and tried to recall every metaphor about hauling nets and gutting fish and watching the tides that she had ever told him. It made a good distraction until the Maia revealed his plan.

Arodreth knew it was fitting that he was chosen before any of the others, for he had been born before the Great Journey and knew that nothing would last. Once more he dug his heels and told the commander to stop crying, his king to stay strong, the mortal to reunite with the woman he loved. He told them that this was not as terrible as the first roar of the ocean. His pride would not let him beg, and he pretended the nails of the beast that dragged him to the center of the pit were no sharper than rose thorns. Before the teeth descended, the old elf spoke one last time. “I am finally crossing the sea,” Arodreth said. “Tell her I was too stubborn to go any other way.”





Part of the process of concocting characterizations and backstories for the ten unnamed companions of Finrod and Beren was taking some of my favorite minor characters from other series and crossing them over into the Silmarillion. For the concept of a much older veteran soldier (and one can't get much older than the first born generation), I looked to two of my absolute favorite secondary characters from The Wheel of Time. If you've read that series, the old general symbolized by a bull wearing a crown of roses and the older-than-she-appears woman who can't speak two sentences without mentioning a fish metaphor should be familiar. If not, then ignore the names Gareth Byrne and Siuan Sanche.

Tears

Dec. 16th, 2018 10:19 am
heget: My Little Quendi - Nightingale and Bold (MLQ)
One inter-dimensional phone call later, a real reunion for Aegnor and Andreth. Or what immediately happens after Mandos hears Lúthien's plea.




Still wiping away tears from his eyes, Námo calls to the other side of the enveloping darkness that forms the outermost ring of the Circles of the World, hoping to reach the ear of Ilúvatar or one of his brethren that did not journey into Arda. He knows there is a counterpart of his that must be the one to hold and handle the mortal souls that leave his Halls and enter Beyond (He hopes so, in the way the Children have described and defined hope). Finally, someone answers. At first it is hard to separate their tones from the reverb of his call, and there is a terribly annoying static to the vibrations on the upper places of thought. Manwë never has these issues, he thinks, and never has to wait this long. The situation is unprecedented, and a tad embarrassing to call for outside assistance, but Námo's judgement deems it necessary. Eventually his patience is rewarded. The responder is a vaguely familiar voice, but one he has not heard in so long he has forgotten the name that their father, Eru Ilúvatar, assigned them. Something that started with a Ha or He sound, he thinks. Or was it Nef?

“Námo!” the voice calls. “You were not supposed to contact us unless it is of great need. What is this request you ask for?” There are undercurrents of peevishness and stress to the voice, a sense that they are distracted and cannot give him their full attention. It could be merely the distortion of communicating across barriers of existence. Námo tries not the feel any personal offense.

“A great boon,” the Judge says, pitching his tones to those of resolve and determination, and as succinctly as possible describes the situation with Melian’s daughter and her mortal lover. “They wish to remain together, and thus Lúthien is willing to join Beren to his mortal fate, to leave the confines of Arda.”

A great sigh echoes through the Outer Void. “Look, Námo, I know you have all your First Children to deal with and they can be a tad unruly, but we are swamped. Do you realize how exponentially greater the number of the Second Children are, and how swiftly the number increases? And how fractious they are? I would trade you positions for some peace and quiet, even if it meant having to share a universe with Melkor. And you want to dump an extra soul on my overworked shoulders? Truly?”

The moratorium on the coldness of his heart has ceased; his sympathies can no longer be manipulated. Námo steels himself and replies, “My brethren and I wish to grant them some years together here on Arda, then allow them to leave together. I will give you time to prepare, and I am only asking you accept one soul. Not even our most intractable. But I swear by the name of our Father and Creator, I will not suffer a second permanent resident of my Halls declaring to never leave my couch and spend all of eternity bemoaning their lost mortal beloved. I have one already, and Vairë is exhausted already listening to him weep and pout and get accidentally tangled in her skeins as he searches for fresh handkerchiefs and frozen dairy sweets. Aegnor is bad enough. I won’t have twice the misery.”

The humming sound that signaled that the Ainur on the other end was only humoring Námo’s rant without giving it consideration screeched to a halt and the line of communication intensified with sudden loudness and clarity. “What was that name?”

“Melian’s daughter that wishes to have a fate of one of the Second Children?”

“No, no, the other. The one already moping in your personal wing of your Halls. The one that was in love with a mortal- it was mutual affection, wasn’t it? The name, please!”

“Aegnor,” Námo says slowly. “Ambaráto Aikanáro Arafinwion. And the woman he cries over was of the House of Bëor named-”

AEGNOR!” the counterpart howls with the chords of extreme vexation that he thought only Melkor’s disharmony could inspire. “OH YES, HIM. We are sick of hearing that name. We know the woman of the Third Song, Andreth Saelind. There is not a soul here that does not, to our sorrow. For more than ten of your years, we have had to listen to her complaints, of her list of grievances of the inequalities and ill-planning of Eru’s Songs, of creating two Children too alike and yet not and allowing the possibility of love to form between them, innumerable critiques of your jobs and ours and more philosophical bitching. Of which we always hear from the newly arrived, mistake me not - but this one! Brother, she has gone to Ilúvatar himself and has not shut up. Your Lúthien at least could sing with incomparable beauty and skill. We got her. If I never have to hear another word about her beautiful block-headed Aegnor, I would take all the First Children into my keeping.”

Námo is aghast at what to possibly respond with. Fortunately to reply on his part is unnecessary.

“Look, I’ll talk to Father but I can guarantee he’ll agree. We’ll swap you Lúthien for Andreth. And it’ll take a while for any of us to interrupt her diatribe to inform her of the deal, which should give your Lúthien and Beren a grace period for a second chance at life together. Oh, Most Joyous of Songs! Peace and Quiet at Last! We can be rid of Saelind! I was almost tempted to pull a Tulukhāstaz[1] to get away from her. I have never cried before. What are these things on my face?”

“Tears of joy,” Námo explains dryly.



[1]Valarin form of Tulkas

The Ring

Dec. 16th, 2018 09:19 am
heget: custom sigil for Andreth, wisteria (andreth)
Andreth steps outside the door of her nephew’s house, the grand building that had once been home of her brother and her father and their father before them, so lovingly crafted and its wood worn smooth by time and care. Her fingers wish to linger on the door-latch for a moment, but she does not hesitate to walk further into the light. She does not hear the door close behind her, or any sounds from inside the house. It is dawn, and the reddish orange of the sky looks so warm and comforting. She does not understand how it can, because the fiery glow engulfs the entire skyline and casts its hue over everything she sees, and she should be frightened, should be thinking of the flames that destroyed her world only a few days ago, but she doesn’t. She has forgotten the northern fires.

Andreth walks out from the shadow of the eaves, hugging her green cloak around her shoulders, staring out at the field stretched out before the house. From this angle she cannot see the other houses of the village nor the smithy, mill, or any of the barns, not even the fence-lines. Only a field of green grain, waist-high with summer promise, and a figure standing in the field with his back to her. The dawn silhouettes him, and Andreth knows the lines of his shoulders. He is leaning over to run a hand over the barley, and as a breeze lifts at her unbound hair, Andreth begins to smile in recognition and joy. He is not wearing armor, only a soft woven tunic of the very sort of plaid woolen cloth that has come from her looms, and there is no sword or quiver belted at his waist. He is free of tension, at peace, and that alone would make Andreth weep. Sunlight turns the curls of his hair into pure gold. It is still silent. Andreth walks out into the field, the dew soaking through the thin leather of her shoes and collecting on the hem of her green cloak. The man in the field straightens and turns to face her over his shoulder, smiling.

Aegnor speaks to her, and at first Andreth doesn’t understand. Something about a ring, and she looks down at her hand, where a silver band wraps around her finger. An elven proposal of marriage custom, she remembers it being explained to her, silver for intention to wed, but does not recall if it was Finrod or Aegnor himself who had told her, and it does not make sense. He had never proposed to her, no matter how she had dreamed he had. But he is looking at her with such certainty and love, framed by the orange dawn. Andreth stares at the cold circle of silver, and suddenly the light has cooled and she feels cold. She remembers the texture of ash and dirt in her hands, digging through the aftermath of a battlefield. She remembers burials, and wakes.

Andreth is in her ancestral home, but her bed is cold. The fire in the hearth is gone, and as she stretches out her hand, she can feel the piece of metal from her dream. It is a piece of chain-mail from a shattered and burnt suit of elven mail, one of the larger rings that she had dug out from the pile of charred bones. She runs a finger over the metal and wishes she was back in her dream.

Howl

Dec. 15th, 2018 07:43 pm
heget: custom sigil for Andreth, wisteria (andreth)
Companion piece to The Brides of Death.
On the autumn equinox the first men to arrive in Beleriand dance and sing to remember how and why they fled over the mountains. On the night of masks, a young Beren is dragged before the throne.




The night of the masks had come again, on the full moon of the last harvest. The last sheath had been gathered, bound, and hallowed in the name of the giver of fruits, and now balance would shift to another, she of grief and winter, and the nights would grow longer than the days. After tonight, the lords and ladies of growing things and warmth would step down from their thrones. With promise the tools of harvest were stored beside the seeds for next year's planting. The blistering days of the last twilight of summer would become distant memory after tonight, the winds blowing only cold from the north and the pines preserving the only remnant of color. Here came the night of sorrow and memory, but also the night of hope and defiance.

Illuminated by towering bonfires built in the cleared and now empty fields, the people gathered to listen and sing their history. They brought their torches and wreaths and some the masks that hung face down and hidden the rest of the year. This ritual of sacred history was shared only on the full moon before the turn to winter. Once all had gathered around the tallest bonfire did the silence break. The wise woman began the songs in a voice that was strong and piercing, and those that did not sing joined her with clapping hands or feet. What was sung were old melodies, the most ancient songs, for half the words no longer had meaning, and of their significance only the wise woman knew in full. Of the words they still understood were chants for running, for long journeys and sorrow and desperate hope. No names were spoken that night, for none had survived to be recalled. Memory needed the dance and the masks more than the words.

Once they had no fields, no harvest, no food, no home. Once they had only darkness and hunger, travelling ever westward in the hope of freedom and safety. Once only the moon had known them. Only the moon knew their journey and all the words to the songs they had sung.

Once long before they had possessed fields and homes, but no freedom, for their harvests had not been their own. Once long before their great enemy had claimed them as their own.

In the flickering of bonfires and moonlight, the people hid their faces behind masks of their enemies. They disguised themselves as snarling wolves and monsters, chalk-white fangs and black fur capes lined with wooden beads that rattled and shook as they cavorted and danced. The ones hidden beneath the masks of wolves howled and laughed, stamped their feet and forgot their voices. Hunched over like the beasts that their masks mimicked, they curved fingers like claws. Running to the edges of the field they disappeared in the darkness, then leaped back out to weave patterns and circles in what remained of the winnowed grain. Others unmasked dressed themselves in their simplest garments, the white of undyed cloth bright against the glow of moonlight. They danced in counterpoint with garlands of autumn flowers and leaves crowning their heads, and streaks of ash ran like tear tracks down their faces. The ash came from what had been gathered from their hearths as the people dosed all the fires that morning. On this night the only lit flames would be out in the middle of the harvested fields. They danced for their ancestors who fled from the first fields, those who left homes and hearth for the unknown wilds, running before the wolves of the enemy. Their dance was steadier, forming rings of joined hands and staying close to the bonfire. Until the ones in masks leaped out. Then the hands would break apart, the dancers in white scatter. In mock horror they screamed and skipped away from grasping hands of those masked like wolves. Back and forth went this dance, while the rest sang and rattled strings of bone and beads and clapped and chanted.

A boy spun and leaped free of his older cousins, his laughter rising above the crackle of the bonfire, the rattle of beads, clapping of hands, and stomping of feet. Last year he had been a wolf, and he had howled loudest behind his painted fangs. No one had been a better or more believable wolf. This year he was his ancestor, defying the enemy by running free of the wolves. No one could touch him. The boy spun once more in the air, his white tunic spotted with soot and ash, gray as the moon that witnessed his daring leaps.

The wise woman finally rejoined the dancers with a new crown atop her white-streaked hair, one with three pieces of polished rock crystal instead of flowers, a cloak of black wool across her shoulders. On the finest chair from the feasting hall whom none would remember having fetched and just as mysteriously would none remember returning the chair to the hall once the dawn rose did the wise woman sit enthroned. Surrounded by torches, her face was recast fey and strange. Her eyes heavy-lidded surveyed the dancers before her, and with hand gestures slow and imperious she bellowed that her wolves bring to her the brightest sacrifice. Her piercing voice was pitched low and cold, the mask of the enemy.

In a leaping frenzy the dancers in wolf masks began to ring the bonfire, howling the last song as the dancers in white fetched torches to light. The boy paused and smiled, teeth as bright as the painted fangs of his cousins as he held out his hands. Each grabbed one arm and hoisted their laughing cousin into the air, carrying him through a gauntlet of other dancers, unlit torches crossed above their heads. To their great aunt enthroned with a black crown they brought the boy, and in the enemy’s deep voice she demanded to know who they had brought before her. Ritual words she called out; his name she desired, the labor of his hands, the bounty of his fields.

The boy knew his role, that he was supposed to pretend to be afraid of his great aunt, of the enemy enthroned and crowned, but that he must shout defiance, give no name, as the dancers in masks bowed low and waited for the shout that would allow them to remove their snarling wolf-faces. Together everyone would dip the torches into the bonfire to begin the last procession from the fields back to the feasting hall where they would drink and feast until the dawn. The hearths would be re-lit and masks hidden. Still, the boy could not halt his laughter as the wise woman loomed above him, the pieces of crystal in her crown reflecting off the harvest moon like true gems. Laughter and pride danced in her gray eyes as the boy, released by his pair of cousins, stood and stepped forward. A bold one, she called him, the hint of a smile at the corner of her frowning mouth. Once more she demanded his name, and the dancers shifted awkwardly. The boy could not break tradition.

He wanted to shout his name for all to hear and proclaim it would not matter anyway, for the enemy could not catch him. He wanted to turn the simple taunt into a new song of defiance, to list all that his people had accomplished and would now that they were free. He wanted to sing until the moon heard his voice. To howl like the wolves, forget once more he was a boy. Wanted to lean close and whisper into the wise woman’s ear that she did not frighten him. To kiss her eyes and break the spell that made her terrible and fey. To brush his fingers against the crown of dark branches and pluck free the three pieces of clear stone.




"Beren" is Sindarian for bold.

Feel free to make a drinking game out of all the moments of playacting that Beren shall later do in earnest.
heget: Tolkien's watercolor of a swanship (swanship)
This piece could be considered the other half of a ditypch with Grief is an Undertow.
“Great was the sorrow of Eärendil and Elwing for the ruin of the havens of Sirion, and the captivity of their sons, and they feared that they would be slain; but it was not so.” [Silm 297]



Her husband pulls out the shard of sun-stone, notching more lines in the railings of the ship, murmurs into the breeze soft words of heading and degrees into the wind, and wishes for charts of currents. He prays for winds, directions, fish for their hooks, and the provisions of fruit to last. He prays for the Valar, that their faithful ship shall finally reach them, this ship of which Elwing has learned each plank and tar-slick rope by memory of touch. Eärendil hopes to meet the Valar.
Elwing is only interested in one.
The Judge holds all of her family - with the lone exception of her husband beside her- in his Halls. Elwing’s memory can clearly recall each length of this ship, the sound of Vingilot’s sails snapping, the rush of foam as its prow slices through the waves. She can barely recall the sound of her mother’s voice, or her father’s face, or the feeling of her sons. In Mandos’s Halls are her father Dior and mother Nimloth. Her older brothers will be there, no longer lost, no longer forcibly and cruelly separated from family. In the Halls of the Judge Eluréd sits next to Elurin, holding her sons in their arms. Elwing prays her sons have found their uncles with whom they shared the same sweet smiles and now unfortunately the same cruel fate. Her brothers will bring smiles back to the faces of Elros and Elrond, hold them tight to banish any night terrors. Her grandfather Galathil will be there, and his parents who died before the Moon rose, and their kin. Together they shall buoy the spirits of their descendants, share the stories and laughter that they could not in life. King Thingol will be there, her great-grandfather Elu who held her as an infant and declared even as an infant she was as beautiful as Melian and would grow to be as wise and strong. Melian’s grief she has inherited, perhaps, and Elwing thinks her great-grandmother is the only other Power she hopes to meet, someone of her blood who understands the sorrow and fear and anger of which only the reunions that the Halls provide can heal. Only her grandfather’s brother is not in Mandos. And her father’s parents, though they saw it. Most of her husband’s family are in the Halls as well, the side that is not mortal. Of Eärendil's parents, they know not, and Elwing wonders if they will be found with the vast majority of her family, or if they have journeyed far beyond the stars like Grandmother Lúthien and Grandfather Beren to wherever holds the mortal dead.
Her husband sails for hope, to save the still living. Elwing supports him, holds his hands as they search the horizon, grips his shoulders as he perches from the mast to gauge the position of the stars, and listens to his prayers. But her hope is for the Halls of Mandos that hold her dead, the one place overwhelming with love, her one hope to see her children’s faces again, and her parents and people.
heget: custom sigil in blue and gold (Default)
Diving into HoMe for timeline info and discovering that the reason a part of the canon plot sat ill with me was because it was a editorial patch job, and I logic my way to a better solution.
Read more... )
heget: custom sigil for Andreth, wisteria (andreth)
In an alternative universe Aegnor and Andreth do marry. That does not stop the philosophical debates. Or more mundane questions. Where Angrod's worries about his family are a little more prosaic and involve Beleriand's version of baby name books.


From one of my very old AUs where Aegnor and Andreth do marry and have a daughter. But everything still is not happy rainbows, because there's no convenient proclamation from Eönwë on the very serious divide of elven souls, which bound with 100% certainty to Arda, zero ambiguity about eternity and afterlife, versus the mortal ones that do have all that ambiguity and permanent separation after death completely alien to elves. And what does that make their impossible offspring? But this story is about lighter problems than those issues. Eventually.




It started with a question which should have been harmless. Everyone had already exhausted all the thorny or offensive or just plain unanswerable questions like why Aegnor married a mortal and was that even possible or ethical or physically possible. The last question turned Angrod’s brother a very bright red, though his new sister-in-law, Andreth, only gave him a look that could have turned Tarn Aeliun into a dry valley. No, neither of them had any idea if their souls would have a chance to stay together after Andreth’s inevitable demise, or if Aegnor was doomed to a widowhood that not even Grandfather Finwë had faced. Having his prudent advice ignored, their big brother Finrod down in Nargothrond was now writing letters to all the Wise-women of the three Edain tribes and the philosophers among the Eldar (which consisted mostly of Finrod himself, two advisers of Thingol, and one loremaster living with Fingolfin - the majority of the Noldor either uninterested in esoteric questions of soul, especially strange mortal ones, or had stayed behind in Aman to begin with) to bring together in a colloquy to discuss the impact of the first marriage of immortal to mortal and what were any possible changes or transfers in the nature of their bodies and souls. The philosophers were still struggling with the definition of a soul that appeased everyone, immortal and mortal, before moving onto the thorny questions concerning the union of them. “Or you could come up and visit,” Aegnor had said, though the idea of becoming his brother’s newest focus of heavy scholastic observation was not thrilling. Finrod still had not been convinced this marriage was not a disaster waiting to happen, but he kept those reservations private. The belated wedding gift to Aegnor and Andreth had been accompanied by a note scolding them for the lack of invitation, which Angrod found a little 'closing the barn door after the horses', to quote Belegor. And it wasn't as if Angrod had been present to fulfill the role of father-of-groom either, as Aegnor had delivered the news fait accompli with Andreth in tow. But Finrod pointedly declared his support of the union with a gift. Publicly he was loudly and enthusiastically supportive. He had even shouted down their half-cousins for implying Andreth, as a mortal, was as beneath a prince of the House of Finwë as one’s horse and bordering on bestiality to begin with. Sensitive on behalf of the Edain in general, that insult to mortals, the House of Bëor, House of Finarfin, and his baby brother and favorite sister-in-law had goaded Finrod to not only shouting but nearly throwing nearby objects. Angrod had been very proud.

Andreth’s side of the family, Boromir of Ladros and his kin, had their own set of reservations about their eldest daughter marrying one of their elven liege lords without telling anyone, but the fuss they made was much quieter. Funnily enough, the most awkward part, after Beril screamed at her sister for daring to do this (elopement with an elf) without informing her at all, was Lord Boromir addressing Aegnor as ‘Son’ with an uncomfortable grimace. Aegnor was delighted and had immediately taken to calling the old Bëorian lord ‘Father’.

Secretly, Angrod wondered if this whole mess should have been a surprise, for Aegnor had assimilated to the Bëorians in Ladros more rapidly than their sister had to Doriath. Every morning Angrod checked his brother for sign of stubble on his cheek or gray hairs, for that was the inevitable next step after learning the mortal tongue, drinking mortal beer and eating that mortal food dish involving stuffing animal organs with more meat, wearing mortal clothing, staying in mortal halls, and falling in love with a mortal woman.

Everyone was curious to see if Aegnor and Andreth could conceive a child, the disparities of soul and body balanced against similarities, and Finrod’s colloquy by correspondence side-tracked into tangents involving hypothetical marriages between elf and dwarf and mortal men and dwarves and how would those unions work. This led to some questions about Círdan that made Thingol and the other old Sindar howl with laughter, with the eventual consensus reached that conception was impossible. Until of course the morning Andreth announced she was. Read more... )
heget: custom sigil for Andreth, wisteria (andreth)
Finrod frets while helping the people of Bëor settle Estolad. He desires a safe home for his new friends (and some elves are safer neighbors than others).


Finrod tells Balan it is not wise, is not entirely safe, to stay in Ossiriand. He cites the complaints of the Green Elves, their worries and unhappiness. Better to move to an uninhabited area, one with room for crops and houses, he advises Balan. On the other side of the River Gelion the cleared plains next to the Forest of Region south of Nan Elmoth are well-suited for farmland. The lands are claimed by Amras and Amrod, but the two are rarely present, preferring to hunt to the south on the opposite side of the river, away from the trees patrolled by Doriath’s March-wardens. Everything but the pleasures of the hunt are beneath their notice, and Balan’s people have nothing the two sons of Fëanor would value.

The March-wardens and the Girdle figure heavily in Finrod’s calculations, for he has conversed long with Beleg and Mablung, who think highly of him, and with his sister’s beloved, Celeborn, and his brother. As long as Finrod vouches for these new arrivals, keeps peace with the Laegrim and King Thingol, and the newcomers do not try to trespass into the Girdle itself with their axes and ignorance (the rangers trust the power of Melian to stop any intruder, but in truth they tell Finrod that they fear more a misunderstanding between a human and one of the Ents that travel through these woods. The Ents are very touchy on the subject of axes), then the Marchwardens of Doriath with offer their own silent protection to this encampment of men. Their flanks will be guarded by the silent shadows in the trees, but left alone.

Mablung takes one look at the collection of tents and campfires, grunts, and asks if the humans need better spears and axes, for the armories of Menegroth are full with old dwarf-work. The warriors that once wielded the weapons died south of here, near a lonely hill. Mablung won’t even charge a price; better to let the humans clean the rust from the blades. Less chance of King Thingol hearing about the trade, and it is all in the name of safer borders anyway. Beleg thinks the humans are cute, far cuter than the dwarves that Prince Eöl found (“Haven’t heard from him in a century or two. Might send a messenger up to his place since we’re in the area. Not that we care to talk with him, or him to us. Maybe I’ll choose a messenger by drawing straws, or pick the greenest recruit. You wouldn’t want to go talk to him, Prince Finrod? You’re very good at talking with people, and you have a friendship with the dwarves in common. Wait, you are technically Noldor; I forget that. I'm so used to thinking of you as the King’s nephew. Never mind.”). Celeborn offers a few horses, and seed for crops that will grow in the soil of Estolad, which Finrod and Balan’s family thank him profusely. Balan and his sons tell the silver-haired elf that the boats lent to help with crossing of the River Gelion were more than enough assistance, but Celeborn waves off their gratitude with stuttered repetitions of how he was glad to help them as he may and please stop thanking him before he blushes red with embarrassment. If he glows any brighter, Galadriel will never let him live this down. Cryptically she tells her fiancee to become accustomed to this, eyes distant with foresight. Celeborn's brother, Galathil, repeats the grievances of the Green Elves and takes no interest more.

Most of all Finrod does not say the words he heard Fëanor spew and his sons repeat, of how the Aftercomers would defraud them of their rightful kingdoms of Middle-earth, none would oust them, that they would refuse to share power, lordship, bliss, beauty, and light with anyone outside themselves, least of all the mortals unknown. Finrod knows these mortals, and he wishes to share everything with them. He regrets that he cannot give all beauty and bliss to Balan and his people. He told Balan he was not Oromë, insisted to the mortals that he was but another elf, though dressed unlike the ones the human knew from the other side of the mountains, and not a Power. Never more clearly does Finrod understand the Valar, though, in this fierce and protective need to provide the people he loves with the same privileges his people were afforded. He tells the foreboding in his heart that his fears are unfounded. His cousins will never attack another settlement. Finrod clings to the condolences of Mereth Aderthad and the vows of forgiveness. Balan’s people need good neighbors, safe neighbors - ‘better neighbors than Alqualondë had’, he thinks and flinches and vows not to be Angrod. It is not his fault that the mortals have arrived to an unsafe land, that he had to break their hopes of a home free from Morgoth. But Finrod plans walls and palisades to encircle the houses constructed in Estolad, speaks of the benefits of alliances to his brothers and the kings Thingol and Fingolfin, questions Balan on how he kept his people safe during his journey and what more can be done. Most of all Finrod remembers the unspeakable hardship of Helcaraxë, too great for even elven bodies to endure, impossible for weak mortals to cross. If only... Only a few months he has known Balan and his people, and Finrod wishes he was strong enough to endure the loss of their friendship, the uncertainty of knowing their fate. Balan eyes him with a wisdom Finrod has seen only in Círdan and Ingwë and tells the elf lord that Finrod’s task is not to protect the humans from all ills and dangers. Not even the Powers, of which Finrod has shared with Balan their true names, could accomplish that. His friendship is gift enough.The opportunity that Estolad offers his people is hope and gift enough.



The House of Bëor and their Nóm are one of the best and inspiring multi-generational friendships. This is inspired by Ch. 17 "Of the Coming of Men into the West".

I am directly paraphrasing from the other passage that inspired this quote: "for [Fëanor] echoed the lies of Melkor, that the Valar had cozened them and would hold them captive so that Men might rule in Middle-earth. ... "We and we alone shall be the lords of the unsullied Light, and masters of the bliss and the beauty of Arda! No other race shall oust us!" " (Silmarillion 89-90)

I firmly believe one of the reasons the Third Kin-slaying is accounted the cruelest is because half if not a majority of those slain would have been mortals, so aside from how heinous the attack was and how few survivors were left, that is one of the only confirmed times when elves are killing Edain - or indeed any humans not directly allied and fighting on the side of Morgoth and Sauron.

Celeborn’s part is a direct allusion to ‘Farewell to Lórien’ in FotR.

Revenant

Dec. 13th, 2018 02:26 pm
heget: custom sigil for Bór, red vulture on gold (bor)
During the War of Wrath, one of the survivors of the people of Bór must deal with the enemy who occupy Dor-lómin. Another peak into the fates of some overlooked Easterlings.
Yet again Bledda has an unexpected encounter.




Bledda was given the task of interrogating the captured Easterling warriors. Of the nine men guarding the outcrop above the stream that stood between the next Easterling plantation and Bledda's platoon, two had been killed outright and the rest captured. The vanquished enemies were removed of all weapons, bound hand and foot, and tied sitting with their backs against the four picket posts for horses. The captured warriors were too old, too young, or judging by the second man killed, too ill-recovered from some past injury as to be deemed useful by the warlords that ruled Dor-lómin for more important army posts. Had the goal not been to completely liberate all the people of long-subjugated Dor-lómin and remove any spies that could report back to the Enemy where and when the Army of the Valar was advancing, the elves might have bypassed the tiny watch-camp. As it were, the battle lasted only a third of the time it took to gather and bind the prisoners. Sending these prisoners to where they could be contained until the war was over would take even longer. Right now they were Bledda's problem.

As the elven scouts now knew what to expect in the immediate area, concerns with extracting information from the captured Easterlings factored less than explaining what their fate would be to the prisoners. The leaders of the great elven army from across the sea wished to save as many people from war-torn and sinking Beleriand, and the Valar in their infinite wisdom included former Easterling soldiers and slave masters in their assessment of who was to be saved. Bledda's feelings on the wisdom of that were ambivalent, and of their treatment. Elves were nothing like orcs; there would be no torture. That was the hardest part of Bledda's task, to convince the Easterling prisoners that they would not face what Bledda would have faced had their positions been reversed. This overgenerous mercy was not without limit. Any orcs that the elves came across in these dry foothills would be slain outright, but any surviving thralls were freed and sent to the Edain refugee camps with what rations could be spared. This empty corner of Dor-lómin held few surprises anymore after a week of scouting, and it was too remote and unimportant for orcs, but there were still enemy soldiers to be dealt with. This task of dealing with the prisoners was shoved onto Bledda, even though the elves or their Maia companion, an unnaturally large hawk perched on the captain's shoulder, could read minds and intentions.

The elven soldiers downplayed their mental abilities, and the avian Maia said it was only present for communication back to the front lines. Bledda had a strong working knowledge of the powers and limitations of elven magic. A year now he had been working with the Tenth Mountain Platoon, a company of golden-haired elves from across the sea who volunteered as one of the preliminary divisions to climb over the mountains into Dor-lómin. It was a decision Bledda did not regret, as he admired and liked the captain and the rest of the elves, and he desired above all to rescue the world from the Enemy. Still, learning to work with the elves from across the sea had not been initially easy. Mountaineering skills had been slow to learn, and Bledda had little proficiency with the elves' long spears. How the Maia who attached himself to the platoon was only visible sometimes as a talking wren or hawk or even just a hazy cloud of heat shimmers took Bledda a week before he no longer screeched in alarm when the Maia appeared. Fighting orcs alongside these elves took some adjustment, but not as much as how the golden-haired elves gave orders. Bledda grew used to commands sent via thought. Disorienting at first, it had the advantage of not carrying across the high passes and alpine gorges. And during the initial months when Bledda struggled to learn back-country Quendya, which even the captain admitted was a dialect strange and rustic to that of Valmar, their communication depended on the ease through which thoughts could dilute barriers, as the elves were also in the process of learning Sindarin and as many of the Mannish tongues as Bledda could speak. Nowadays the elves spoke the languages of Beleriand even among themselves. Still, the elves could not read minds easily or without invitation, and Bledda was the only one with a vocabulary over hundred when it came to the language of the Easterling tribes in cold and stony Dor-lómin. One of the languages, at least, for Bledda was of the Bór, one of its last descendants, and the people that conquered Dor-lómin were of Ulfang and his allied tribes. But the mortal was here, and he was the one sent to inform the newly captured prisoners of their fate. Grumbling about lazy elves and lazier Maia who liked to pretend to be a bird but never one useful like a Great Eagle, and how a translator wasn’t as necessary as they assured, Bledda stomped over to the pickets.

Bledda knew the real reason he was sent to parlay with any captured Easterlings was because he was the lone mortal present -if one did not count his wife Rúth, who waited back in camp copying and updating maps to send back to the regular divisions with their messenger Maia. Moreover, he looked superficially like the captured Easterling warriors, and the elves felt he was less intimidating of a face. The captured human warriors all flinched from the bright eyes of the elves, but looked upon Bledda with confusion and scorn. They called him traitor, when they addressed him at all.

The Easterling warriors captured after battle did not understand who Bledda was or why he sided with the elves. Perhaps if he had a yellow beard or carried a great ax, they would know him as an Edain warrior. Bledda knew he would never be mistaken for one of the three tribes of the Edain, not even of the Bëor. He was Easterling- and not. The prisoners knew he was not one of theirs; Bledda could see it in the calculation of their eyes as they noticed the small ways in which he was as foreign to Dor-lómin as the elves from across the sea. Bledda was smooth-cheeked, wore his hair in two plaits, fastened his tunic on the wrong side, had the wrong style of knife tucked into his belt, and wore loose trousers tucked into boots that did not turn up at the toe. He stuttered through unfamiliar names and did not know the location of each homestead. He would ask, halting over loan words and obsolete terms, who was aligned to which banner. Worst of all, he glanced up when he swore by the Great Blue Sky. The oldest of the prisoners would catch on, would smirk and use another word for traitor, for lost tribe, would spat the word for Bór.

They noticed the vulture alongside the eagle on Bledda’s belt and embossed on the heirloom barding of his horse. Bledda wanted them to. He regretted that he did not have the war banner that belonged to his ancestors, or he would have flown the forgotten emblem of Bór beneath the white and gold of the elves. But the red and gold birds and the black horsehair were lost in the Fifth Battle.

Bledda stood in front of the bound prisoners and let his indignation and pride overwhelm the sensation that whispered he was a fraud. The old stories spoke of changeling children, poor substitutes created by either elven magic or the Enemy's shape-shifters pretending to be men, ghosts walking among the living to lead warriors into traps. Bledda knew which side the guilt should be felt. He would feel not lesser than men that served alongside orcs and had tried to wipe out his people.

One of the older prisoners this time, a bandy-legged man who did not fight when the elven platoon overpowered the Easterling sentry camp, laughed when Bledda began his speech pre-written by the captain. Only two sentences into those worn statements of where the prisoners would be sent was honestly further into the diatribe than the young man expected. Bledda had not even reached the promises of fair treatment and food, deserved or not, for he had seen of what was done to the conquered people of Dor-lómin and how the orcs and wargs roamed free. “You are a ghost,” the old man said, and Bledda grimaced. He expected this, once the prisoners noticed the vulture. The Bór should have been exterminated, according to Uldor’s men. The prisoners looked upon Bledda’s golden vulture as a corpse raised and walking, an unnatural betrayal of death. That he or any tribesman of Bór lived at all was somehow worse than the young man's decision to follow elven soldiers.

“Aye,” Bledda sighed, weary and angry and tired of being judged by cruel and defeated men, “I am Bledda, son of Ernath, of the People of Bór.”

“Son of Kreka,” said the old man.

Bledda stopped cold. “How do you know that name, old man? I was born a long way from here. I have never served your wretched master, nor my mother, and she has never stepped foot in this land.”

The old man smiled, smug or fond or wistful, Bledda could not tell. The other prisoners stared at the old man in similar confusion. “Bledda, son of Kreka, daughter of Marti, the daughter of Borthand, the son of Bór." Names rolled off the old man's tongue with graceful ease. "Bór of the Great Soul,” the old man said with a reverence which astonished everyone, spoken the way Bledda's mother spoke of their ancestor or the way the elves would call out the name of the Star-kindler. “I know your mother, knew her very well. I knew you, little Bledda. Or at least those giant ears. Ernath was many things, but never as good a listener as you’d think he should have been with such ears,” laughed the old man, as all the other prisoners inched away as much as the limits of their bonds allowed. Bledda thought once more of the stories of changelings, of ghosts walking once more among men. “I am Ruga, son of Roas. Elder brother of Kreka. Your uncle.”



Ever since I mentioned Kreka's brother in the very first story about the survivors of the people of Bór, I knew I wanted to go back and answer what happened to him (it involved this reunion and the Middle-earth equivalent of the Underground Railroad).
The Tenth Mountain Platoon is another bunch of mostly Vanyar OCs, including their fussy captain, who someday I'll write out the whole story, a good deal of which would involve Bortë, the First Queen of Numenor, as the regiment's collective adopted niece. (For those tracking the ASoIaF fusion characters, he's Lissë's son).
At least some Vanyar spoke a more archaic form of Quenya (Quendya).
heget: custom sigil for Bór, red vulture on gold (bor)
"What Happened to the people of Bór after the Nirnaeth Arneodiad - Please Tell Us This Time."




And before the Sun had fallen far from the noon out of the West there came a Great Eagle flying, and he bore tidings dire.[1] His great voice was harsh and unpleasant as it echoed down to the plains of Thargelion, smoke and ash trailing off his feathers. The people in the land below the lake of Helevorn knew the Eagle came from the battlefields to the far north where still they could see dark smoke and smell foulness on the wind. And they knew that the Fifth Battle of Beleriand was over, and it was not victorious for some.

A small woman stood outside a large yurt that had the most beautiful and colorful decorations in this large and well-ordered camp. Her face was lined with age, but her stance was straight, and her thick, glossy black hair held only two strands of silver. A crown of gold-plated bronze inset with many red stones and gems shone brightly above her sloping brow, and anyone that looked upon her would know she was a princely woman of high status and regard. Her upturned face watched the Great Eagle circle above the camp of her people and proclaim dark words, tidings that she had already guessed at within the unease of her heart.

Sing not and lament,” the Great Eagle of the Sky King instructed them, “for the Armies of Angband have prevailed, and slain or scattered are all the hosts of the High King of the Noldor. Sing not and lament, for it is time to weep tears unnumbered for your dead, by the Treachery of Men were they betrayed, surviving people of the Faithful Bór.

The wife of Bór, mother of his three sons who had led their warriors under the red banners of the Noldor host to besiege Angband, keeper of the tents and leader of her people when the warriors were away, watched the Great Eagle circle her camp once more. Long she stared at the brilliant blue of the sky, at the whiteness of the clouds, at the still smoldering feathers falling from the injured eagle. Then the Lady of the Bór closed her eyes to weep, and all around her the people joined her cries of grief.

To their voices joined the mournful howling of the mighty hounds that guarded their herds and homes, and the cries of the hounds unsettled the horses and white-grey cattle. Great clouds of dust rose around the settlement, drifting into the bright blue sky, the sight accompanied by the sound of sorrow of women, children, and the old.

Then the Lady of the Bór stood from where she had knelt weeping and wrenching the grass. She removed the golden band from her head and carefully undid the many braids of her long thick hair. She pulled off the outermost coat of her garments, tossed aside the red coat with its many fine beads and golden embroidery, and stood clad only in the innermost white tunic and pants. Her people cried to see her new display of grief. Then she turned back and went into her tent.

Inside her tent the Lady of the People of Bór waited for yet more dire news, knowing she would never more see her sons, knowing that the Great Eagle had been but a kind forewarning by the King of the Great Blue Sky. She wept because she knew that she had little time before such weeping would be a luxury.

An ill omen it had proven, that her husband the Great Soul had died before the muster of troops - though it had been a peaceful passing in his sleep. Bór of the Great Soul, wise and strong and respected throughout the homelands of the Folk, had been greatly mourned by his people and the allied tribes. Even Ulfang had sent mourners to the death of his rival, and one of his sons had spoken sweet words during the funeral. The funeral songs had been sung long into the nights, new songs composed with each retelling of Bór’s wisdom and generosity, cunning and wealth. The sons of Bór had wet their own scarred cheeks with many tears of grief, but Borte had begged her people to not allow their sorrow to overshadow them. She demanded her sons lead their warriors to battle as their father would wish, so that he would smile down on them from the Great Blue Sky to see them defeat the evil Dark King. Borte’s sons, joyful Borlad and cautious Borlach and Borthand who could compose sweet and clever poetry, marshaled the cavalry of the Folk and rode away with horse and bow and sword to the army of the Bright Ones. Under the elven lords, the ones with too-bright eyes named Maglor and Maedhros, did her sons and their people fight, according to the oaths of loyalty first proclaimed by Bór that fateful night that the Great Soul decided that the offer of the elves in the lands west of the mountains was better than the tyranny known under the Dark King. Borte’s sons had dried the weeping from their eyes and left her with promises of glory and honor. The black horsehair of their war-standard had floated in the breeze as her sons and their warriors rode away.

No riders would be returning.

"Grandmother," a young girl whispered, kneeling beside the much older woman, "Grandmother, they call for you. Someone approaches from the river-side direction. Grandmother, I am afraid."

Read more... )
heget: Tolkien's sigil for Lúthien (luthien)
Fire in the lower galleries, smoke in the tunnels. Poisonous gases and heat and explosions, collapsing homes and escape routes caving in. Cracking stone, screams, a metropolis darkening under the roars of a demon from the deep. The king does not need to see to know what is happening to Khazad-dûm. The miners and soldiers are blocking off the tunnels from the mithril mines into the populous heart of the great city, trying to seal the air locks to hold off the noxious fumes that are asphyxiating his people, trying to fight a monster made of flame and shadow. Durin’s people need time to flee to safety, and the universe has been overturned, for safety used to mean deep underground. His civilians, his few mothers and children, the most precious jewels of the Dwarves, need time to reach the uppermost levels and gather supplies to survive a possible exodus through hazardous lands. If the locks cannot hold, if the Balrog makes it from the deep mines into the wide thoroughfares, Khazad-dûm is doomed.

They need their king to lead them. Durin gives his son Náin a final set of instructions, the plans to divert the aqueducts and flood the lower levels in a deluge that shall hopefully defeat the demon of flame if all else fails. Minor versions of similar plans for smaller emergencies, gas leaks and caves-ins, orc invasions, have long been on file. For several hours Durin has conferred with his son over the strongest locations in the mountains to hold out for a final siege and concurred with Nain’s proposals on how to best adapt the emergency procedures. Nain’s face beneath the raised visor of his helm is pinched with worry, but Durin has faith in his son’s capabilities. Gruffly, he reassures his son a final time on the soundness of their plan, one Nain still clearly believes should be his father’s duty as king to lead. After initial arguments, when it became clear changing the courses of aqueducts would be easier than changing the will of his father, Nain has not disputed Durin’s intentions to join the soldiers in the lower galleries. His son knows an unbeatable fight when he faces it.

Durin dons his golden helm and face-mask and heads for the door. The guards open it to someone Durin expected to have long retreated with Nain’s wife and barely-adult son. Nain only nods briefly in respect to the new arrival. There is a flash of what might be guilt in his son’s eyes, for it is obvious Nain knows why this person is present in the Chamber of Mazarbul instead of safely guarded near the surface levels. A suspicious corner of Durin’s mind wonders if the search through the records of the city layouts has been orchestrated so this new arrival would have time to sneak back into the Seventh Level and confront Durin. Has Nain recruited the only person his son hopes could persuade Durin away from what they both know is a sacrificial last stand? He glares at his son instead of his guardsmen. The king is not surprised that his guards defer to this person, however much he might wish otherwise. No door in Khazad-dûm is barred to him. The arrival blocking the doorway is someone most precious to Durin and his people, someone who has been a heart-companion during the many repetitions of Durin’s life. The tallest person in the room, with the shortest beard, he kneels down before Durin arrayed in a coat of silver mithril. He is holding what Durin at first mistakes for a slender pole-arm. Durin frowns and commands, “You should be with the other lore-masters and master-craftsmen. You are too valuable to lose.”

Precious barely begins to describe the feelings the dwarves of Khazad-dûm feel for this one. The only non-dwarf in Khazad-dûm, the one to give the dwarves the first letters in which to preserve their history, he has rejected all names but those the dwarves have given him, and the name that Durin’s people call him is Preserver of History. The truly deathless one, the Preserver of History remembers Durin II, having lived with that king during the end of the First Age and into the Second. He is the one who would recognize when Durin returned to his people with each rebirth, proclaiming the news to eager mothers and lore-masters. Those sad grey eyes of his eternal faithful friend, the first Durin can remember meeting upon this earth, lock gazes with his king once more. Stubborn as any dwarf, his heart-friend.

“You should not be arrayed in armor,” Durin says more forcefully. “You are not a warrior.”

“You will not send me from your side,” Daeron answers. “I will not abandon my home or king to destruction.”

“You will!” Durin growls. “You will not survive against a Balrog, you fool elf!”

Some of the shocked gasps from others in the room might have been at the acknowledgement that Daeron, Durin’s Treasure and Preserver of History, was an elf. It was a tactfully ignored truth. They knew the lore-keeper had once held a similar exalted position among the elves. However Daeron has lived so long among the dwarves of Khazad-dûm, sharing in their familiar pains, delighting in their joys, attending loyally to their king, and hiding from his former people even during the time friendship with Eregion blossomed, that they forget it had not been Mahal’s hands that shaped him. Durin II had welcomed Daeron into his home, cloistered him deep within the heart of the mountain, and over time taught him the secrets of the dwarves. Each year Daeron’s wistfulness for long-gone forests and heartbreak for a long-dead unrequited desire had lessened under the admiration and affection from the people of Khazad-dûm and the closeness of their king. The dwarves understood such heartbreak and how to heal it. Daeron had been appreciated in his first underground home, highly respected by its rulers, but Durin knows the nostalgia Daeron feels nowadays lingers solely inside these halls, for these caverns above the Kheled-zâram. For centuries only Khuzdul has passed through the elf’s lips. His songs are lullabies to sing to dwarven children. The stars he praises are the reflections from the Mirrormere. The lore he gathers and shares comes from the wisdom found here in Mazarbul. Daeron’s skill as a craftsman of wood is equal to Narvi’s with stone, or any other of the great artists of Khazad-dûm. His patience and willingness to teach that skill is even more rare and valued. Nain’s son learned to carve wooden marvels, form his letters, and play the harp on the lap of his grandfather’s heart-friend. Durin does not wish Nain’s grandson to grow never knowing of Khazad-dûm’s most treasured secret.

The rest of the astonished cries come from how Daeron has not budged, staring like an unmoved cat in defiance to his king. Durin cannot push him aside, so he moves to divert around him as one does when tunneling and faced with stone too onerous to chip through. Daeron grasps his king’s hand and turns Durin to face him once more. Grey eyes impede him.

“I will go with you, to death this time, so be it! And here is my weapon, my king, to wield in service of you and our people. Song has defeated the enemy’s monsters before. If mine is still the greatest voice to ever grace this world, then its greatest use will be to sing enchantments to ensnare this demon in the depths, perhaps to lure it back to slumber for as long as my power holds. Enough time to buy our children a chance for safety.”

Durin weeps into his beard as Daeron reverently kisses the crown of the helm, then kneels even lower to pull Durin’s gauntleted hand to his lips and then to caress the side of his face. “We go together this time.” Daeron whispers.



The only satisfactory answer to what happened to Daeron, the world's greatest singer and creator of the Cirth as well as an accomplished lore-master and artisan, was that he went to live among the dwarves. Extrapolate from there, having a deathless Daeron as the secret and valued guest of a king that repeatedly reincarnates (and some interesting alignment of dates about the line of Durins once this hypothesis is considered), and one creates a deep abiding relationship tinged with angst. Especially when one considers the power of song in Tolkien's universe and wonders how and why the Balrog never ventured beyond the gates of Moria for five hundred years. So here's the fic I promised to write based off those head-canons.

Nain I holds out against the Balrog for a year after his father's death before dying, at which point his son, Thráin I, becomes king and leads the survivors from Khazad-dûm wandering until they formed the Kingdom under the Mountain at Erebor.
heget: Tolkien's watercolor of a swanship (swanship)
For heckofabecca:

Seasoned with Salt:

At first Elwing thinks the grilled fish is the bluefish she is used to, the heavy fishy flavor wafting off the golden crust, but when her hosts cut into the fish and start to pull apart pieces of the cooked flesh, nimbly avoiding the bones, she sees it is not so. There is a loaf of bread, yet in shape and texture it looks nothing like any bread she knows or has kneaded. Another grilled fish, crusted in a thick layer of charred salt and smelling faintly of some sweet cooking liquor, is dropped into the center of the banquet table, the head and tail hanging over the edges of the massive yet delicate serving platter. The platter is a soft white, with the imprint of feathers along the rim, of a delicate ceramic that she vaguely remembers. She has not seen an object so fine and delicate for a long time. The meals she has eaten for the last twenty years, when she had been fortunate enough to have dishes on which to eat them, have been on wooden platters or the thick reddish brown ceramic of mortal make. In recent memory it has been her fingers greedily pulling apart hastily boiled small fish that either her husband or she had caught. Infrequent meals those had been, often spoiled by stomachs wracked by worry.

The rich scent of garlic and lemon pulls Elwing out of memories, and she looks up to see the next dish being uncovered. A lid is being removed from yet another fish dish, this time a giant and also unrecognizable specimen that has been obviously seasoned and steamed in its own juices. The surrounding broth smells fragrant, and her host uses a ladle to scoop some of it into a small bowl and set it before her. A piece of soft bread is placed next to the bowl. Light highlights the delicate translucence of the bowl's edges as she stares at it. “Eat this first,” the queen says, the small crown of silver shells and mother-of-pearl above her sad face glimmering with the same wet luster as her eyes. “It shall not overtax your stomach.”

As the queen speaks, her husband is uncovering yet another dish of what looks to be fried squid and brightly-colored vegetables with delight. Yet still more dishes are being brought, and the guest feels overwhelmed. This was not to be any large feast, just an intimate meal for newly reunited family, and yet she is besieged by the bounty of food. She thinks back to the excitement of a pot of eel stew. The last dish she notices before the tears overwhelm is a platter of round crab cakes. They look exactly like the ones she used to make for her family, even the small cup of cream dipping sauce, though she served hers in a cleaned clam shell and this one is in a porcelain cup made to mimic the shell shape. She remembers breaking a cake apart with her fingers and feeding a piece to her son as she held him on her lap, his brother greedily reaching for a second serving and dipping his fingers into the sauce to lick it clean.

The memory destroys what remained of her appetite. Elwing sobs.

There are warm arms around her, two sets, holding her tight, a hand stroking her hair, a man’s soft low voice whispering smoothing words to her, promising her she is safe, that he will protect her, a woman telling her that she has permission to cry, she can show weakness, that she is loved. In her most distant memories the woman recalls parents who had once done this for her. Elwing weeps and through her tears thanks them for the meal.




For the various seafood dishes I used a vague miss-mash of places to reflect the difference in locations, not just the cultural divergence and economic/survival levels, but also the oceanography. Turkish seafood cuisine was a main inspiration, the crab cakes were for my own nostalgia because I lived in Maryland and nowadays am very partial to Louisiana crab cakes with rémoulade sauce, and lastly the very traditionally English eel stew, because this universe was created by Tolkien.
heget: Tolkien's sigil for Lúthien (luthien)
“We need horses,” Prince Fingolfin said, and to which the gathered princes of his host agreed. Some heads nodded more vigorously than others, but no one present at his council refuted his statement. The boost to mobility and size against the orcish army had been well-proved by the cavalry victory of the sons of Fëanor before the moon arose. Novices the Noldor still were to warfare, yet the example of Lord Oromë and Nahar had affixed the righteousness of facing Morgoth's pawns from horseback in their minds even before the return to Beleriand's shores and recent history had die-cast it in lead. Aranwë as acting secretary for the council meeting recorded the lack of horses at the top of a priority list, above the need to locate good iron ore and stone to build strong fortifications. Plans to rectify their need remained unwritten.

Only the sons of Fëanor and their followers possessed any horses, for they had transported the animals aboard the stolen Swan-ships. It had proven impossible to herd any creature across the frozen darkness of the ice desert, and the followers of Fingolfin and Finrod had not attempted to do so. Nor had they any horses or other beasts of burden remaining in their possession to attempt to take with them across the Helcaraxë after Fëanor had betrayed the host by taking the fleet and then abandoning them. Fëanor and his followers had loaded all the animals that the Noldor had the foresight to bring in that hurried flight onto the largest of the Swan-ships before he disembarked in secret. "They would have stolen the chickens, had we brought them," Egalmoth said, a joke that Aranwë and Ecthelion often repeated.

To his best friend, Turgon privately confided that his brother Fingon was as wroth at the theft of his beloved steed as to the general betrayal at Losgar. Finrod believed it, for he had taken part in drafting and revising the proposals for possible reconciliation that Fingolfin sent to Maglor after learning of what had transpired before their arrival. At the top of the list of demands was the return of Fingolfin and Fingon’s horses. Finrod's personal missives to his cousins across the lake were short, sympathetic notes that strongly urged Maglor to submit to their uncle and accept these peace terms. Words of disgust and disappointment had been restricted to unsent first drafts. Quick warnings and reminders to ensure nothing unfortunate happened to Fingolfin and Fingon's horses -and relief that they had not been among those lost to Ossë and Uinen's wrathful retaliation- went above the signature.

Turgon’s personal opinion was that food was a more pressing demand, though he conceded to Finrod that plough animals would greatly increase the production of arable land, and thus horses would be a boon.

The Sindar elves of this new mist-laden land did possess horses, though the animals were few and far between because of the onslaught of the army of Morgoth. Herds of thousands had been slaughtered by the orcs, and most of the surviving animals had been rescued by taking them south into the protection of the Girdle or by fleeing east and then south. The horses and other livestock that the Sindar herdsmen had been able to protect and hide from the orcs were therefore all the more precious and guarded.

In any case, the native horses of Beleriand were smaller creatures than the Noldor were accustomed to, almost uniformly of a black or bay coloration, though some had a lighter dun coat, with sporadic stripes and spots, and universally with a long black stripe down the back. Their heads were large and ungraceful, eyes small and dark, and the manes and tails thick and coarse. Prince Fingon disparagingly likened them to donkeys and asses, yet he was first to entreat the Sindar who still owned horses to allow him to examine the surviving animals and worked tirelessly to assist in their care and tend to lingering wounds. Suspicion of the Noldor prince swiftly faded the longer he spent rubbing salves into festering cuts and asking earnest questions about each animal's temperament and history. Fingon would return to camp late for council meetings with mud caked to his knees and hands smelling of unfamiliar stringent healing herbs. His father did not bring attention to his eldest son's absence from the meetings, and Aranwë only bothered to send copies of the council discussions and recordings to Turgon. No one protested Fingon's lack of involvement, because no one truly desired Fingon's political input or logistical insight. Fingon’s interest back in Valinor had heavily skewed towards all forms of equestrian competition, a passion he had shared with Aunt Lalwen, and no one was better at creating an instant rapport with the animals. Unlike gregarious and charismatic Turgon, his older brother Fingon had always very few friends, and those few but close bonds of friendship had mostly been forged in the paddock fields or as friendly rivalries in the equestrian sports.

Angrod’s wife, Edhellos, had bred and raised horses, selling the finest to the various princes, and the renown of her animals and the smoothness of their specialized gaits had been second only to a rival family that pledged loyalty to the eldest of Finwë's sons back when the political split in Tirion began to widen. Of the horses paddocked in the Fëanorian camp, she had personally bred or trained the majority and could detail the names and pedigrees of the remainder. Edhellos would glared across the lake in the direction of those stolen horses, murmuring dark and vicious words too low for any to hear. Then to quell her hate temporarily she would visit the Sindarin herds, though that had the opposite effect of only inflaming her jealousy. “We need horses,” Angrod said to his older brother, “for my marriage depends on it.”

Finrod enlisted Turgon’s help in conferring with the leaders of the Sindar elves in Nevrast about possible purchases of some of the remaining horses. Sheltered in the marshland around the lake in eastern Nevrast, multiple herds of these smaller gray and white horses -ponies, truly- had survived. The horses of Nevrast were too short to be comfortably ridden by the taller Noldor; Turgon in particular looked comical standing next to one- but for pack animals and pulling farming equipment they would more than suffice. And they were more aesthetically pleasing than the other breeds native to Northern Beleriand, if the princes were honest. Edhellos praised their even temperaments, muttering about the princes' obsession with flashy animals. "A high trot and shiny coat will not do us any good, but trying to fight afoot or furrow a field by hand would be worse. And our options are limited." Finrod began to divvy some of the jewelry he had carried across the Helcaraxë to people he trusted, sister-in-law Edhellos and his childhood friends Edrahil and Heledir chief among them, to bargain for horses under the name of King Fingolfin. Turgon had a strong reputation with the leaders in Nevrast, bolstered by Fingon's rapport with the herdsmen, yet the price per head was steep, and only a few of the horses were willing to be parted with.

"And you thought I was foolish for carting those jewels across the ice," Finrod teased as Heledir trotted a string of mares and yearlings through the Cirith Ninniach from Nevrast into Hithlum, the hoof-beats echoing strangely through the narrow passage above the fast-moving stream.

According to a helpful Sindar herdsman named Annael, yes, the natives of Beleriand did have ‘tall horses’. The King of Beleriand, Elu Thingol, was taller than even Prince Turgon, and needed a refined and spirited mount equal to his stature. There was a royal herd of leopard-spotted destriers, horses as strong and swift as any son of Nahar, but they could not be found north of the Ered Wethrin.

Still the existence across Lake Mithrim of the Valinorean horses, tall and strong and more than a few stolen, tormented those that brooded over them and the necessity of horses in the war effort against Morgoth.

This goaded Heledir to make the suggestion one night to Angell and a few other warriors of his acquaintance that they should cross the lake in secret and rustle horses. The idea was eagerly embraced. Secret plans were made, getaway routes carefully examined, Edhellos consulted and inducted into the conspiracy along with her husband, and rope stockpiled. Her desire was more revenge-motivated than the others, but as Heledir teased, it was better to have her with them than attempt without, and this kept Edhellos from just marching across the lake to scream into Caranthir's face. They debated if more than one raid would be necessary, and how many additional riders to guide the herd along the route. Angell began to evaluate the recruits he was training for willingness to engage in subterfuge and ability to ride the purchased Nevrast ponies. Also firmly debated was the merits of stealing the personal mounts of the sons of Fëanor. Edrahil procured more terrain maps and dissuaded Aranwë from scrutinizing the supply requests. Food for the extra horses was set aside. Angrod promised to cover the conspirators in any political fallout with his elder brother or Prince Fingolfin. The return of prizes like Fingon's Arocco would grant them clemency, they decided. To safeguard the reclaimed horses, the plotters considered the necessity of driving the herd across Hithlum deep into the protected territory of Nevrast. The rustled horses could be easily hidden there, yet such a course of action would necessitate Turgon's involvement. As a compromise, Lady Aredhel was inducted into the conspiracy. Of the other would-be thieves, she was the most enthusiastic and ambitious by far.

Thankfully Fingon returned from his daring rescue of Maedhros, facilitating a more genuine probability of reconciliation between the two Noldor camps and the eventual goodwill gesture of the return of several horses and additional livestock. Thus the raid was unnecessary (and plans detailing its existence denied).





"...for from few their horses had increased swiftly, and the grass of Ard-galen was rich and green. Of those horses many of the sires came from Valinor, and they were given to Fingolfin by Maedhros in atonement of his losses, for they had been carried by ship to Losgar." (Chapter 14, The Silmarillion)

Pondering the differences between the native horses of Beleriand and Valinor, I looked to what were the possible original native horses of Europe, giving particular attention to the Tarpan, images of horses found in European cave paintings, and general characteristics of surviving 'primitive' breeds. Most wild horses and those of a recognized 'primitive' type are a dun or mousy gray with a black dorsal stripe and zebra-like leg markings. Ancient European wild horses, being forest dwellers, would have more commonly had coat colors of black or bay to blend in with shadows- something even more necessary for star-dark Beleriand. However, Dalmatian-like leopard spotting was also very common, and this spotted coat, now usually mostly seen in American Appaloosas and Knabstruppers, was more common and prized in the medieval and Baroque periods. And the necessity of a leader on a white horse for visibility would have been even more required in a land with only stars for illumination. Thus Thingol's spotted destriers. Valinorean horses, in contrast, are hot-blooded and high-strung gainted breeds.
Nevrast's ponies around the Lake Linaewen are Camargue horses with the names filled off.
Edhellos, going back to my first Silm fic, has always been a horse breeder and trainer.

Going back to some of the earliest laws recorded among Iron Age Germanic tribes, horse theft was punishable by death and accounted a more serious crime than murder. As per the quote in Chapter 14, the only way to account for the Valinorean horses brought over by the Noldor is via ship. And Fëanor stole the horses for the same reason he embarked on the stolen Swan-ships with only the core of his followers and then torched the ships at Losgar- to deny mobility to others.

Ele!

Dec. 9th, 2018 06:02 pm
heget: Ingwë, Elwë, and Finwë (cuivi three)
The Duel. spoilers for "Of Ingwë Ingweron."


The youths are foolish, to place their confidence and effort into elaborate posturing and flashy moves. Duels take one stroke, one stab, if the warrior is right. The fight is before; the hunt is the wait. It is to reach the mind out and feel the echo of the opponent and flow of his thoughts. That is the secret of the hunt, to sing without words and feel as others feel, both companions and prey. To know the challenger across the ring and judge his thoughts. To be either the spear, stabbing boldly forward, to overwhelm the challenger and cow him under force of will - or be the lake, to absorb the attack like the water swallowing everything in its depths, find the weakness and in the same instance push back.

Imin is master of both paths, of spear and lake, knows every trick, has watched every fight that has ever been. Oldest and first, he has no equal and no one before him. There is a pointless cruelty in accepting this challenger, for Imin has no weaknesses, and this boy has no hope. What pride compels him, this boy that hunts alone and has never challenged his companions in the ring, to think he can best the first among all? Imin reaches out to find the challenger’s spirit, to hear the beat of the other heart, and overwhelm it with his own. The boy is tall and strong, his grip on the spear relaxed but right. There is a strange gleam of health to his body and a light in his eyes that Imin does not trust. The boy speaks of a land of light without death, a land that has made him strong. Imin can feel the boy’s strength. He acknowledges it. But the boy is young, and Imin is oldest and first, with no one before him. He looks across to the calm face of his opponent and feels with mind instead of ears the steady heartbeat of the boy. Incredulous! that the boy has no fear. That the mind is as calm as the mask-like face, the heartbeat even, no trepidation to face his leader, no bravado to explain the boy’s presumptuous challenge. Not even the lake is this still, and Imin falters. It is a tiny thing, that uncertainty, which does not show on his face or body. But he is no longer first, alone, no one before him. Imin sees the boy across from him in the dueling ring.

‘Lo!’ he shouts in the quietest corner of his mind, as he feels the intention flow into the action, feels the other man stab forward with his spear, begins a strike than Imin cannot stop or deflect. ‘Here you are, my equal. I thought I was alone.’

The last thoughts of Imin, oldest of elves, as he falls dead to earth and his spirit flies west to a land of light, is this: ‘I am glad I was not. Lo! I see you. Ingwë.’
heget: custom sigil for Andreth, wisteria (andreth)
 Barahir falls in love with her when they are both ten, and she shows up for beginning lessons on how to hold a shield in a tunic that is too small over a pair of too-big trousers stuffed into the tops of her boots and rolled thrice at the waist as to not fall off her skinny hips. She brings her own shield, painted bright green. Lessons on holding sticks are saved until next month’s instruction, and they must train for at least one full planting season before sticks are exchanged for dull pieces of metal. Barahir doesn’t realize what he feels for Emeldir is love until years later as she holds a green shield above his body to protect him from arrows, his own shield shattered at their feet. “We were taught to use our shield to protect our heart,” she tells him later. “That is exactly what I was doing.”

Barahir sulks off into the woods to find a moss-covered stone to sit on and attempt to compose heartfelt love songs to match the suave poetry of how Emeldir declared her feelings. Eventually he gives up and trudges back to her house, feeling as if he had returned to the awkward days when his beard first grew in. She meets his eyes with the same cool aplomb he envies and admires, and for a second Barahir worries he misunderstood her declaration. “Dagnir is leading a party down into the plains to hunt for enemy spies. You are the first warrior I want by my side,” he tells her. Emeldir nods. Then, before his courage deserts him, Barahir blurts out. “I want to fight by your side.”

Emeldir blinks slowly. “You said that.”

“I mean it! I mean, what I also meant was I want to be by your side. Always. I love you. I think I always have.”

Emeldir thinks he is ridiculous, and stubborn, and oblivious, and beloved.

heget: custom sigil for Andreth, wisteria (andreth)
“Do you think we have not courage?” Boron asks Lord Finrod, when the elven king warns of the dangers of Dorthonion, of its proximity to Thangorodium. “Do you think we chose not to fight against Morgoth, that he is not the avowed enemy of our race? That the harms he has done to us and our families is somehow less than those he did to the Noldor, and we have less cause or motivation to bring war to him, to stand against him?”

“Well, you certainly have more conviction than many of my cousins,” interjects Lord Finrod’s brother with a sardonic smile. “If Lord Boron and any of his people that wish to join him want to move up to our lands, Dorthonion has land for their choosing. It is not as if we have many men or homes on the land as it is, or warriors to patrol it. I will not gainsay anyone willing to fight, not when our efforts to encourage anyone beside Uncle Fingolfin have fallen on defective ears.”

King Finrod makes a strange little expression that starts as a glare but transforms into a huff, as if he cannot decide which part of his brother’s statement to rebut first and if any are worth the effort to deign a response.

Boromir has a odd moment of empathy, seeing the elven lords not as mighty figures but as a pair of bickering brothers, and wonders if his father was ever embarrassed by Belegor and him sniping to each other over family. Then again, his arguments with Bereg have shamed the family enough. He glances to his father, who is nodding vigorously at Lord Angrod with a particularly stubborn set to his jaws and remembers that this is how the situation started, that Boromir’s cousin was foolish enough to play into the enemy’s hands. The Dark Lord up in Thangorodrim did not desire Bëor’s people allied with the elves or anywhere in this new land, and Boromir cannot think of a better reason to do anything than defying the Master of Lies. And, staring at his father, Boromir knows the surest way to prod anyone in his family to avow a task is to impinge upon their courage or imply they are forbidden.

“The Master of Lies will hunt us anywhere we live, and his emissaries in disguise have already tried to come among us in Estolad. This is an old trick of which my father and the Wisewomen of our tribe long recognize. But the servants of the Dark Lord fear the power of you elven lords and your ability to perceive their seemings of deceit.”

“Imperfectly,” interrupts the Lord Finrod.

“Yet you have the power of the mind we do not,” counters Boromir’s father.

“And it would be harder for a disguised sorcerer of the enemy to sneak into Dorthonion, if there are so few people that live there to begin with, and few visitors,” Boromir adds, hoping he sounds intelligent and adds value to this weighty conversation. Often he feels as if he is but a callous seventeen instead of twenty seven, but he knows he has a point, so crowded has Estolad become with new arrivals from the East trickling in each month. Amlach’s doppelganger could pretend to be him because no one knew that Imlach’s son had not joined the pressing crowd. Few there knew Amlach intimately to know if his words were those of his mind or true manner. Bereg had derided Boromir for being too trusting of the elves, but Boromir holds that it is his younger cousin that was naive. The elves can do what the People of Bëor cannot and are willing to give what they need. Land, as much and more than can be had in the overrun settlement of Estolad, and the chance to fight against the true enemy of his people are not gifts to be tossed aside. Boromir can not fathom what Bereg hopes to find by returning to where Grandfather Baran fled from, but he knows Bereg will not find it. There are three tribes of men, whom the elves are now calling Edain, who have entered Beleriand because the unknown on the western side of the Blue Mountains was a better prospect than what they had.

Boromir thinks he has much in common with the spirit of his forefather Bëor, for the appeal of a new land to explore and the hope it offers fills him with a desire to sing. Boromir desires a life of greatness, in the manner that truly matters, of leaving the world better than he found it, and standing firm against the Master of Lies is the greatest calling he sees.

The elven king clears his throat in the manner of over-corrective older brothers everywhere -which makes Boromir feel even more strangely elative to know he shares a trait with Nóm himself - and smirks as only an older brother to an younger sibling facing their comeuppance can. “What about the swamp?”

Lord Angrod grimaces, and Boromir’s father shifts his eyes between the faces of the two elven lords.

“Are those the fens I’ve heard of?”

“And the only way to enter Dorthonion from Tol Sirion, unless you take the long way around from the Pass of Aglon,” states Lord Finrod. “I’m sure you remember Lady Haleth’s stories of leading large groups of Edain through unwelcoming terrain, and you are very familiar with those fens, aren’t you, Brother?”

Angrod scowls and folds his hands in front of him, but before he can retort, Boron laughs.

“I fear no swamp. We shall take that route, for I wish to see your city of Nargothrond again and the white tower you have built on the river.”

All the elves gathered around observing this conversation make appalled faces, and Boromir blushes, praying his father has not made an over-bold and foolish promise. This conversation was to prove they had more sense than Bereg.

“We’ll go through the swamp,” Boron states firmly, the declaration tied to the decision to move to Dorthonion itself, and he will budge on neither. Finrod and Angrod look as if they wish to argue, and both pairs of bright eyes land on Boromir.

The young man swallows and rubs at his beard under their scrutiny. “As my father says,” he says and prays he does not sound foolish.

King Finrod mutters something under his breath that sounds like ice, but Lord Angrod smiles brightly. Perhaps too brightly, for his cheer seems false, but he clasps Boromir’s arm with a warm hand. “Do not fret; my brother and I will help your people through the Fen of Serech, carry you all if we must.”

Boromir has a bad feeling about this. 
heget: custom sigil for Andreth, wisteria (andreth)
A quick explanation of a line in this fic

Aegnor hands his brother the drinking horn of Edain beer with a hidden grimace, wiping his hand on the tartan wrap across his shoulders, then frowns at the stain on the green and yellow fabric. He goes to ask the matron of the house about adding the garment to the laundry, as it was a gift from Boron’s wife and thus one of the first gifts that Aegnor received from a member of Bëor’s family, holding for him a particular sentimental value.

Angrod hides his own smile and turns to Belegor to inquire after the reason behind this impromptu and boisterous party. The brother of the Lord of Ladros replies in a more than mildly inebriated voice that the engagement between his oldest son and a woman with very annoying and parsimonious parents has been annulled, to which Angrod replies he did not know that -an annulment of engagement- was a cause for a celebration. Belegor laughs, jostling the drinking horn in Angrod’s grip, and says, ‘It would be if you knew these potential in-laws!“

At this point Aegnor returns to interrupt the conversation with an even more pained expression on his face to ask if Belegor knows about the men outside trying to steal his cattle.
heget: Thingol and Melian's meeting (melian thingol)
Continuing this sad tale:

He has found his parents. If he keeps repeating this, reminding himself that the time to fear is over, to calm his racing heart, wipe away this sweat that makes him shiver and cold, it will stop. Mother has knelt in the forest floor, knees crinkling and crushing the decaying leaves, and has opened her arms wide. She calls for him to run into her arms so she may devour him into a hug, her mouth split into a wide smile, the white of her teeth shining like a wisp-light in the darkness. Father leans beside her, neck bent oddly but his face smiling with relieved delight, eyes almost hidden by the creases in his face from the sharp grin. The boy wonders what has happened to his father’s bow, for his hands are empty. Neither parent is carrying their travel packs, and the boy wonders if they lost all the family supplies, if that is but one minor calamity to have happened when they became separated. He has never been separated from his parents, never for this long, and some disaster must have struck to have kept them apart for so long. The boy asks what had gone wrong, how they had become separated from another, why his parents had not heard him calling for them. He had been calling for a long time. Scrambling down an outcropping of rocks, hands skidding on the stone, scrapping away a layer of skin, the boy ignores the pain that blossoms in his palms to reach the lower incline where his parents wait for him. Pressing his injured hands to his side and ignoring the blood, the boy feels the sharper sting of irrational anger. He had called and searched and had panicked for so long because his parents had disappeared. That should not have happened, but it is now over, and his parents are here. And yet his heart is racing like a hare in one of his father’s clever snares. “Where were you?” he shouts again.

His mother does not answer the question, nor any flicker in her eyes show that she acknowledged it. “Come to me,” she calls, her voice low and sweet.

His mother never croons. She has a pretty singing voice, but when she speaks it is always loud and harsh like a jay, and Grandmother bemoaned that her middle child was fortunate to have found a spouse that could handle her brier voice and thorny temperament. Father is that, calm and soothing, but now he is too quiet, has said nothing.

“Come here,” Mother pleads, as soft as there would be tears in her eyes. But there are none.

Her eyes…there is nothing.

“Come here,” the voice commands. This time the underlying sternness spoils the sweetness. The fingers of her outstretched hands twitch and curl inward like spider jaws. The boy does not run to her, pauses and shifts his weight back, presses against the rocks behind him. 

Something is wrong.

“Hurry to us,” his father says. “It is no longer safe here in the woods. We will take you to a safe place.” This is his father’s voice, and his father’s face, handsome and pale, his black hair grown long to swing around his ears but still recognizably him. And his father is wise, rightly praised by the rest of the Forsaken as clever and cautious. The boy was instructed by all his family that he should never doubt his father’s wisdom, that his sight was keener and clearer that his mother. The boy knew his grandparents believed his mother to be too reckless, but staying in one spot close to the shore would not find them Great-uncle Elu the missing king. But the boy wishes his grandparents were here, or uncles, even the long missing one. Because something is wrong. And his father has not called him as he normally does, has not said my son. My son, my son, said with such love, such joyous pride, as if there is no other name worthy of the boy, no other words that could contain such deep emotion.

“Come here,” his mother says.

The boy does not wish to disobey, wants nothing more than to run into his parents’ arms, feel the embrace of reunion squeeze away this panic in his chest, but his bloody hands stick to the rock at his back.

Something is very wrong.
heget: custom sigil in blue and gold (Default)




Disclaimer: Here is a blend of Original Tolkien creations (aka my best efforts at recreating the author’s drawing), modifications on the original, and designs completely from cloth. Previous Entries can be found under the sigil tag. Please credit if use.

In order:

Andreth, Edhellos, Rían 

Notes:

Yes, I'm reposting these once more. Because if people in the Silmarillion/Tolkien fandom continue to use them, I want nice official links to them. And so another crosspost from tumblr project is born.

Three of my favorite ladies from Dorthonion, where I work off the theme of flowers and coordinating with the sigils for the House of Bëor and the sons of Finarfin. All are mentioned in Tolkien’s work, though only Rían appears by name in the published Silmarillion.
  • Andreth, a Wise-woman of Dorthonion, sister of Lord Bregor and thus great-aunt to Beren, Belegund, and Baragund, beloved of Aegnor and friend of Finrod Felagund, one half of the philosophical debate about mortality and triumph of good over evil in Athrabeth Finrod ah Andreth. The first Edain/Elf love story and one which remains unrequited, with discussion of flames and moths and burning of therefore. I purposefully avoided all moth and flame motifs as the obvious cliche, and went with floral symbolism. The long-lived wisteria is a symbol of longevity, of love lost but also perseverance over time, of somber contemplation, of unrequited love (Fuji Musume). Aside from the pale purples of the wisteria blossoms, the greens, golds, and whites are the same as from both Aegnor’s sigil and the Bëor. I especially wanted white as that was the color worn by Edain wise-women, preservers of tribal history. As one of my favorite characters and half of an OTP, Andreth deserved her own sigil. And once I remembered that Edain heraldry needed only vertical symmetry, fitting the wisteria motif was far less painful.
  • Edhellos - or in Quenya Eldalotë - is one of those usually unnamed wives of elven characters that have almost nothing written about them, only in this case Tolkien did provide a name. Edhellos is the wife of Angrod, and thus in versions where Orodreth is Angrod’s son instead of older brother she would be the mother of the last King of Nargothrond. Though we have no characterization for her, we assume she was Noldor and married Angrod long before the Darkening, and it is telling that her name has a Sindarin version, which implies she followed her husband to Beleriand and lived with him in Dorthonion. I like to include her in stories about the Bëorians and their elven lords, and she’s another quiet and obscure favorite for me to write. Her name means ‘Elf-flower’, which gave me the clearest permission to make a floral device. For a while now I’ve wanted to make a device with irises (as something more than fleur-de-lis), and as they are among other things a symbol of martial valor, it works for an elf living close to the Enemy and willing to bring the fight to him. The sigil itself hearkens back to the clean geometric shapes of Angrod with the heavy black outlines.
  • For kaywinnet​, I made a sigil using forget-me-not flowers of another Edain woman and one that is also one of my favorites going back to my first read-through of The Silmarillion. Rían, the daughter of Belegund and mother of Tuor, she who loved flowers and to make songs and gave her son into the keeping of Annael before she went to the Hill of the Slain in search of her husband Hour and died of grief. Tragic and true love, we both agreed the delicate and small wildflower of the appropriately named forget-me-not was perfect for Rían - plus the color and shape mimicked the Bëor sigil. The frame is the same shape as the sigils for her cousin Morwen.
heget: custom sigil in blue and gold (Default)



Disclaimer: Here is a blend of Original Tolkien creations (aka my best efforts at recreating the author’s drawing), modifications on the original, and designs completely from cloth. Previous Entries can be found under the sigil tag. Please credit if use.

In order:

Bortë 01, Bortë 02, Bortë 03, Bortë 04, Bortë 05

Notes:
Yes, I'm reposting these once more. Because if people in the Silmarillion/Tolkien fandom continue to use them, I want nice official links to them. And so another crosspost from tumblr project is born.I could not decide on a color scheme, so instead I went wild on variations. Why a vulture? One of my favorite OCs is Bortë, first Queen of Númenor, and she needed a sigil that while keeping the Númenórean frame had a vulture and a sun.

 

One of my favorite lesser-known or focused-on people are those of Bór the Easterling who did not side with Morgoth and whose sons Borthand, Borlach, and Borlad died in the Nirnaeth Arnoediad. I’ve written head-canon posts and fic about them in which one of the visual motifs is a vulture clutching a sun in its talons. Echos of Nekhbet, I suppose, but vultures, especially paired with eagles, struck me as highly appropriate for a semi-nomadic steppe people, as one of my inspirations for them were the Huns (and of which I imagine were the same for Tolkien). Bortë’s name, however, while obviously continuing the Bor- prefix trend of Tolkien’s names, is also a direct nod to the wife of Genghis Khan. As a descendant of Bór and his wife Borte who saved their people after the disaster of the Nirnaeth, Bortë proudly carries the name and wears the symbol of her people.

(Which vulture of these five, I can’t chose.)

Bortë is my answer for who is the mysterious wife of Elros Tar-Minyatur. That she is born in the last decades of the War of Wrath, and her parents are human guides and translators for a platoon of elven soldiers from Valinor fighting up in the northern mountains. She is raised as an honorary niece by these mostly Vanyar soldiers, and grows up multilingual under a blend of influences. She speaks both Sindarin and the proto-Anduniac like the other Edain, is fluent in the regional Quenya of Valmar’s alpine monasteries and rural farmlands instead of the dialects preserved from Tirion and Gondolin, and also knows at least one of the Easterling languages. Ex-thralls from Dor-lómin latch onto her as one of their own, for many have Easterling or half-Easterling fathers. Beloved by those that could not claim only fathers of the Three Houses of the Edain, she will be the symbol for carving a new identity as Dúnedain of the Land of Gift, favored by Eru and the West. Bortë is companions with Elros and his brother Elrond, and the twins remember her father and the other Bór tribes-people who shared the camp with Maedhros and Maglor before the twins returned to Balar and the Bór renounce their former elven overlords and make to the refuge of Balar as well. Bortë’s favorite ‘uncle’ is a half-Vanya distant relative of Nerdanel who proudly creates a sigil for his mortal niece in all but name. The vulture (and vulture and eagle) symbols of the Bór wouldn't necessarily look like this or follow any elven conventions, but I’m using him as my literary hypothesis agent for a more elven conventional sigil for Queen Bortë.

  • Bortë 01 - The first variation is the vulture in shades of copper and brown on a pale sea-green background. All versions have a small sun framed by wings, as the Second-born are the Children of the Sun. The symmetry is almost perfectly vertical, broken only by the profile head of the vulture. This follows Tolkien’s own rules about Edain heraldry, with only vertical and no horizontal symmetry - and Beren’s asymmetrical hand proves that even vertical symmetry can be ignored. The coppers tie back to the Urundils and the sea to Elwing and the island of Númenor. It’s one of the more natural and muted palettes.
  • Bortë 02 - The second variation I went with a color scheme closer to the Ancient Eqyptian wall painting inspiration with a blend of blues, greens, and golds. I also added the outline of the island of Númenor behind the vulture.
  • Bortë 03 - First in the attempt to pair the bird with a starry night sky. As the species of vulture this bird would be based on would reasonably be like the Old World vultures, thus I went with a white and dun color. It’s not specifically any species in particular, but the vultures of Middle-earth aren’t going to be the condors and turkey buzzards with naked heads and black plumage I see outside my window every day. The dark blue background and stars make this complimentary to the devices and banners of Fingolfin and Gil-galad, appropriately enough. Plus I imagine Bortë and Elros having a strong love for Manwë, Varda, and Eonwë, considering they named three of their four children after Varda, Manwë, and/or stars. Plus they fought alongside Eönwë and received a paradisaical new homeland complete with palaces by the Valar. For me, Bortë has always loved birds and the solitude of high windy palaces.
  • Bortë 04 - Similar idea, only the vulture is the same blues as Eärendil’s sigil - which are also the blues I used for Elros. I bumped up the number of stars to six golden ones, which if you include the sun brings the total to seven and thus a sly call-forward to the seven stars on the banners of Arnor and Gondor.
  • Bortë 05 - Lastly I did a variation with the bird in shades of crimson and brick red on a solid gold background. Red and gold are my primary colors for Easterling characters.

As of right now I can’t pick which one my OC would use are her personal sigil - or if she changed which version before and after she married Elros, became queen of Númenor, or was used by others after she died as part of her changing legacy.

Because the silence is telling that there is absolutely no canon information about Elros’s wife except that she must have been mortal. All other unions between men and elves or half-elves are noted in the text, even if the fate after death is sometimes left ambiguous. As I’ve written about before, a queen that is at least half Easterling, even if one that sided with the Valar instead of Morgoth, becomes politically undesirable in the later racist imperial mindset of the later Dúnedain. By the time of Tar-Ciryatan, Númenor is conquering other men of Middle-earth by military might, and the King’s Men factions from Tar-Ancalimon on down would not celebrate a queen of less than purely Edain bloodlines, one who spoke Quenya and was close friends with elves and revered the Valar. In the later Númenórean obsession with escaping and staving off mortality, that their forefather Elros chose the Gift of Men would weigh bitterly on the envious kings. Bortë, the Black-eyed Pearl of Armenelos, with her vulture, becomes the ill choice of death, and the vulture is no longer a Nekhbet-like guardian of the winds and motherhood as well as the necropolis but solely the despised death omen. While the vulture still stands over Noirinan, Númenor’s Valley of the Tombs, the royal symbols of Númenor are the sigils of Elros, of the white tree and the eagles of Manwë, until even those fall out of favor.

Profile

heget: custom sigil in blue and gold (Default)
heget

January 2019

S M T W T F S
  12345
67 89101112
13141516171819
20212223242526
2728293031  

Links

Syndicate

RSS Atom

Style Credit

Expand Cut Tags

No cut tags
Page generated Apr. 23rd, 2025 10:24 am
Powered by Dreamwidth Studios