heget: Thingol and Melian's meeting (melian thingol)
Continuing this sad tale:

He has found his parents. If he keeps repeating this, reminding himself that the time to fear is over, to calm his racing heart, wipe away this sweat that makes him shiver and cold, it will stop. Mother has knelt in the forest floor, knees crinkling and crushing the decaying leaves, and has opened her arms wide. She calls for him to run into her arms so she may devour him into a hug, her mouth split into a wide smile, the white of her teeth shining like a wisp-light in the darkness. Father leans beside her, neck bent oddly but his face smiling with relieved delight, eyes almost hidden by the creases in his face from the sharp grin. The boy wonders what has happened to his father’s bow, for his hands are empty. Neither parent is carrying their travel packs, and the boy wonders if they lost all the family supplies, if that is but one minor calamity to have happened when they became separated. He has never been separated from his parents, never for this long, and some disaster must have struck to have kept them apart for so long. The boy asks what had gone wrong, how they had become separated from another, why his parents had not heard him calling for them. He had been calling for a long time. Scrambling down an outcropping of rocks, hands skidding on the stone, scrapping away a layer of skin, the boy ignores the pain that blossoms in his palms to reach the lower incline where his parents wait for him. Pressing his injured hands to his side and ignoring the blood, the boy feels the sharper sting of irrational anger. He had called and searched and had panicked for so long because his parents had disappeared. That should not have happened, but it is now over, and his parents are here. And yet his heart is racing like a hare in one of his father’s clever snares. “Where were you?” he shouts again.

His mother does not answer the question, nor any flicker in her eyes show that she acknowledged it. “Come to me,” she calls, her voice low and sweet.

His mother never croons. She has a pretty singing voice, but when she speaks it is always loud and harsh like a jay, and Grandmother bemoaned that her middle child was fortunate to have found a spouse that could handle her brier voice and thorny temperament. Father is that, calm and soothing, but now he is too quiet, has said nothing.

“Come here,” Mother pleads, as soft as there would be tears in her eyes. But there are none.

Her eyes…there is nothing.

“Come here,” the voice commands. This time the underlying sternness spoils the sweetness. The fingers of her outstretched hands twitch and curl inward like spider jaws. The boy does not run to her, pauses and shifts his weight back, presses against the rocks behind him. 

Something is wrong.

“Hurry to us,” his father says. “It is no longer safe here in the woods. We will take you to a safe place.” This is his father’s voice, and his father’s face, handsome and pale, his black hair grown long to swing around his ears but still recognizably him. And his father is wise, rightly praised by the rest of the Forsaken as clever and cautious. The boy was instructed by all his family that he should never doubt his father’s wisdom, that his sight was keener and clearer that his mother. The boy knew his grandparents believed his mother to be too reckless, but staying in one spot close to the shore would not find them Great-uncle Elu the missing king. But the boy wishes his grandparents were here, or uncles, even the long missing one. Because something is wrong. And his father has not called him as he normally does, has not said my son. My son, my son, said with such love, such joyous pride, as if there is no other name worthy of the boy, no other words that could contain such deep emotion.

“Come here,” his mother says.

The boy does not wish to disobey, wants nothing more than to run into his parents’ arms, feel the embrace of reunion squeeze away this panic in his chest, but his bloody hands stick to the rock at his back.

Something is very wrong.
heget: custom sigil in blue and gold (Default)

 

Disclaimer: Here is a blend of Original Tolkien creations (aka my best efforts at recreating the author’s drawing), modifications on the original, and designs completely from cloth. Previous Entries can be found under the sigil tag. Please credit if use.

In order:

Eöl, Maeglin

 

Notes:

Yes, I'm reposting these once more. Because if people in the Silmarillion/Tolkien fandom continue to use them, I want nice official links to them. And so another crosspost from tumblr project is born.

Confession: I do love both of these characters- and that I loved Eöl long before I fell into with Maeglin.

But as for their sigils- Eöl has the dark background and heavily black design as befitting not just a Sindar but one with the epithet “the Dark Elf”. The points of his device are black swords in honor of the the two dark sisters, Anglachel and Anguirel, with evergreen stylized leaves and loops for the woods of Nan Elmoth.

Maeglin’s elven heraldry sigil (as opposed to the field of sable for the Gondolin shield) was to take the dark sigil of his dad and add the darker blues from his mother’s side. The bits of stylized curlicues are based on the Sindarin art nouveau flowers, but end up looking as much like moth wings or curving lines as they do any flower. Which works for him.
His banner to match with the sigil actually ended up a personal favorite.
heget: Thingol and Melian's meeting (melian thingol)
A young boy is lost during the long hunt of the Eglath for their missing king.




The moss is cool and soft, feels like the hair of his father under the boy’s fingers, short hair right after it is shorn when the boy rides on his father's shoulders, for the boy’s father wears not the long braids with feathers and beads like Mother and Uncle and Grandfather and the others. Dark hair, not silvery like Uncle Galadhon, or even the dark silver of Grandfather, it does not reflect light. Mother says her uncle, the missing king, has even brighter silver hair, as bright as the stars that pierce down through the trees. They will find King Elu, Grandfather’s brother, by the shining silver of his hair, like a star between the branches. Mother says to always be looking for those glimmers of light behind the leaves, move through the forest with eyes open, to never stop and never forget to see. The boy has spent his whole life searching through the trees, even before he was old enough to know what is was everyone was searching for. He knows each type of tree by the texture of bark under his fingers. He can find his path by the scent of earth and outcroppings of rocks. His mother taught him the names of the birds and other animals by their calls as she carried him in their journeys, then how to hunt them when he grew older. His father taught him how to build snares, to find water when there are no streams, to build a fire when the cold comes, what to say to make Mother pause and laugh.

He is not afraid of the dark forest, to be alone in its shadows, for he has always had his parents, known that he would never be lost, ever unable to find them. Even when he could not see them, he could hear and feel his way back to them, and know that in truth they had never been far. They were never truly separated, never truly lost. The king is lost between the trees, we shall search and find him, see my son, see if you can find him, don't become lost like him. You are not a star; do not wander far. Grandfather and Grandmother worried, the last time they stayed in the same camp, told Mother they disapproved. They worried she and her husband and son would disappear into the trees and never return like Grandfather’s brother the missing king. Mother had laughed then, long and sharp, and Father had rubbed the short hair of his scalp in worry.

Now the boy wishes they had stayed with the rest of his family, with Grandfather Elmo and Grandmother and Uncle. Or that he could find them. Even a glimmer of star-silver hair, though in the back shadow cave of his heart the boy never believed Great-Uncle Elu would be found. It was just a story, like touching the stars with your fingers, or dreams of flying, or that there were songs of the family that forsook them echoing back across the waves whispering 'sorry we abandoned you sorry sorry sorry'.

I’m sorry, the boy whispers to the echoing caverns in his heart. Sorry sorry sorry. I’m lost; I wasn’t listening. Why aren’t you replying to my calls? Mother, Father, come back. Don’t join the missing king in the stars.

The boy feels his youth, too young still for an adult name, though just recently he had begged his father for a true name, a name with meaning, old enough to prove his character, old enough to search on his own.

Now the boy is alone, and rubs his fingers across the cool moss and shivers and wipes away tears.

His eyes water because he is straining them so hard, searching between the dark leaves. He must be confident, he must see. Look, look long enough, and we will find him. Behind every tree, look for the starlight. Mother’s echos are weak without her laughter to give them weight and texture.

Look, look long enough and he will find them.





If you read Wall the Heart, you know this story does not have a happy ending.

That Eöl's name has no meaning, and he waited twelve years to bestow a name that celebrates the deductive and insightful eyesight of his son, suggests a possibly cultural practice of temporary child names (perhaps even to discourage evil spirits around Cuiviénen?). And yes, I make Eöl related through his mother to Elu Thingol- though his father's heritage I leave purposefully unclear as to work with other proposed family backgrounds, though my best guess is Tatyar Avari.
heget: Thingol and Melian's meeting (melian thingol)
After the first battle of Beleriand, more unexpected tragedy strikes in the heart of Menegroth, and a Girdle must be raised.




It is the scream that draws Elu’s attention, a scream that sounds like it should come from the throat of an injured animal rather than that of an elf. The sound has echoed down from the serpentine corridors of the subterranean palace system, warped and uncanny. Elu Thingol grabs the heaviest of the rolled map scrolls from the desk in front of him, privately lamenting that he left his sword and armor back in his private chambers. The scroll will make a poor weapon, but the uncanny scream triggers a fear and a reflexive impulsive to defend his home.

After months of wearing the heavy steel of sword and armor, Thingol had relished the absence of the weight, the respite from the fighting. Only a week and a half after returning to Menegroth from the killing fields in the East, Elu is tired of war and death. His muscles are exhausted from the strain of desperate marches across the rough terrain of his realm, back and forth from the stronghold, of heaping the corpses of orcs in stinking hills trying to expend the rage of helplessness from Amon Ereb. The guilt of coming too late save his friend and fellow king Denethor, of being unable to save any of the Laegrim, has destroyed his sleep, and at first Thingol thinks the scream is just a walking dream, another hallucination. Images paint across the back of his eyelids: finding the cooling bodies of Denethor and his two sons that played with Lúthien as children, bright and dear lads who Thingol had taught to use a sword, nephews in all but direct blood, their bronze swords bent and broken by Angband’s steel. Denethor’s wife, as dead as he, found on the hill, who constantly teased Thingol for being too tall and ugly, and who he had retaliated by insulting her cooking. Elu thirsts for at least one sip of her awful bitter beet stew, an irrational craving ever since he returned from the battlefield, and knows the only reason he feels nostalgic for that nasty stew is that he will never have it again. Galathon, last child of his brother Elmo, the only one of Thingol’s nephews and nieces left to him on these shores, is last no more. Thingol hates how he found the dead body, a grisly wound on Galadhon’s head that made all features of that smiling face unrecognizable, only knowing it was his nephew by the dark silver of the hair and the familiar leaf embroidery on the padded silk jerkin. Denethor’s kinswoman and Galathon’s wife, Danaril, stretched out at his side almost as if she was sleeping peacefully, the illusion broke at the ragged bite marks on her arms and the gaping wound that nearly severed her torso in two.

Elu’s first task upon returning the Menegroth and reassuring his wife and daughter of his personal safety had been to approach Galadhon’s two young sons. They had been under the care of their grandmother, Elmo’s wife Linkwînen. That painful walk to their wing of the palace made Elu feel like he was wearing a pair of those ridiculously ugly Naugrim boots, steps weighed down by heavy cast iron. A long walk, in the end unavoidable, for Linkwînen knew. His sister-in-law grew up on the shores of Cuiviénen, had lost friends and relatives to the dark riders. She has comforted Elmo when he and Elu’s parents had been taken by the hunters, stood strong during the long years Elu had been missing, separated by choice from her oldest child when the tribe was split, and lost her second child to the evil spirits during that long and dangerous period when the Eglath wandered the wild of Beleriand. Strong unbroken Linkwînen. Then came the year Thingol had to approach her when the fell false wolves hunted and tell her that Elmo, her beloved husband and Thingol’s precious brother, was among the missing and presumed dead. Tell that the reed girl who grew up with the youngest of the silver-haired boys that she would no longer have her companion, no longer tease a man curious as a squirrel and have his voice answer back, that her walks through forest and wading in the shallows of the rivers and lakes would be lonesome where it once was always with treasured company. That grief had bent Linkwînen harder than the day the Lindar tribe split, or the day young Eöl returned unexpectedly to them with dark eyes haunted by unspeakable events and told a sinister tale to sicken the joy of reuniting with the knowledge this reunion came only to her grandson, that her daughter and son-in-law would never return as well. Thingol had feared the grief would break his sister that day only her grandson returned, but she was well-named, for like a reed bowed by the wind Linkwînen had rebounded. She had poured her energy into helping her people, into building friendship and knowledge with the dwarves that had returned her only grandchild, and then when the Laegrim came to befriend and assist them. She had encouraged her last child, Galadhon, to find happiness with Denethor’s sister, to start a family.

And once more, because of Elu’s failings to protect his friends and kin, he had to approach Linkwînen in the aftermath of Amon Ereb. He had to inform her of more family that would no longer walk at her side.

She had known, for news of the grievous price victory had cost them flew ahead of Thingol’s returning army like bands of crows, and the tales of the Laegrim refugees deciding to shelter in the many halls of Menegroth instead of retreating home spoke loudly. The young boys, Galadhon’s two sons, were old enough to understand what had happened, though the elder, Galathil, had put on a brave face and did not cry, nor did he say that he wished he had been allowed to fight at his parents’ sides, and die with them. Not that he needed to; Thingol read it in the grief and guilt across his face. The younger, Celeborn, had been the one to place his hands around his grandmother’s shoulders. Taller than his bare fifty years would seem, the youngest scion of Elu’s kin had only asked if his parents had been in much pain before they died. Celeborn was wise; he knew his great-uncle had lied when Thingol answered it had been swift.

In the echoes of the unnatural scream, as Thingol kicks the maps outlining the armies of orcs that have overrun his kingdom, the lists of refugees that have poured in from all over Beleriand to crowd the halls of Menegroth, Elu connects the straying thoughts. The scream is coming from Linkwînen’s chambers, deep in the heart of palace. And it is not a wail of heartbreak.

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