Dec. 5th, 2018

heget: Tolkien's watercolor of a swanship (swanship)
Ships leave the port of Alqualondë for the shores of Middle-earth to begin the War of Wrath, and the niece of Olwë recounts her grief and cries for vengeance.




The ships that carried Ilsë from the shores of Middle-earth, parting her from her mother, father, sister, brother, uncles, was pulled by swans. The ship that Ilsë, Fleet Admiral of Alqualondë, commands today is not a Swan-ship. Once she had sailed the most graceful of crafts, tending the rigging and rudder of a ship she had designed and built. Her hands had placed and known every plank and rope and canvas and jet insert on the swan-like prow. But her ship had been stolen from her over the dead bodies of her sailors, taken and then burned.

The ships Ilsë embarks on today are not Swan-ships and can never match them. No swans are carved on their prows; no swans fly before them pulling these ships back to Middle-earth. Still, Ilsë had requested each of her captains gather a fragrant bough from the trees of Tol Eressëa to hang on the prow. The trees came from the Bay of Balar, their seeds grown in the earth of Beleriand. They are a piece of Middle-earth retained in the Undying Lands and one of the only connections to the land of her birth. They are the trees of the family that Ilsë and her people abandoned, the reason she sails today.

One of the oldest among the Falmari of Alqualondë, first among its captains and high in the king’s councils, many forget Ilsë is not one of the Unbegotten, though she was born on the shores of Cuiviénen and remembers the day her uncle returned with a strange light in his eyes and a cloak of starlight. It is Ilsë that leads the fleet of the Falmari, and until her ships reach their distant unfamiliar harbor, it is she and not Ingwion of the Vanyar or Finarfin of the Noldor who command the Army of the Valar.

Ilsë walks to the prow of her deck, ignoring the glances of her sailors, the nervous cough of the helmsman behind her, the bosun’s mate that points to the spray of the waves cresting over the railing. She closes her eyes and breathes in the scent of sap and seaweed, salt and storm-winds. A gull cries above her, and Ilsë nods faintly. The birds that carried her from Middle-earth were swans, but gulls should take her back. It was a seagull that brought her to this deck, a once-gull with the voice of her family that spoke of those who had been abandoned. Star-spray had launched the fleet of the Falmari, and for her sake does Ilsë lead these ships.

She opens her mouth to scream the ancient song of Cuiviénen, the grief chant that she thought would lie forgotten once she reached Valinor’s shores. The song she had been promised would be never sung again, until Fëanor came with his demands. In the dark had her people relearned the chants and songs of Cuiviénen’s terrors, to recount entire families gone and the feeling of security and peace shattered. The songs of the Falmari are water, and tears of grief have as much salt as the sea.

"Carry my song on your winds," she cries to Ossë, feeling his storms whip at her silver hair. He knows her feelings of sorrow, has shared them with her these long years. More importantly he knows rage, and Ilsë screams her grief in anger, feeling the heady satisfaction that there is finally a way to sate her cries for vengeance, to expel the hurricane of rage and horror and weeping upon targets that can be smashed and drowned. She desires a storm to carry her ships laden with soldiers and spears and the reckoning of the Valar to the shoreline of Beleriand, to the very feet of the Great Enemy. She wishes the very sea to swallow him. The is a dark undertow in Ilsë from too many years of pain. "Hear me, oh stars of the Hinder Shore! Hear me, oh stars of my birth!

"I am the daughter of Elmo, taken from us by teeth of the Enemy’s wolves. I am the daughter of Linkwînen, taken from us by the Enemy’s deceit. I am the sister of Galadhorn, taken from us by the Enemy’s orcs. I am the sister of Egnith, taken from us by the Enemy’s deceit."

Ilsë lists her dead, the family she had parted with on the shores of Middle-earth to never see again. Hers is a powerful voice, rough from eons of hollering orders above the flapping of sails and crashing of waves. She does not have a beautiful voice, but this song is for waves that smash the shore, for whirlpools that suck victims for the deep. This a song of harsh winds and ungentle tears. The crew on her deck do not interrupt her song, and if some whisper their own names to the wind that fills the sails, Ossë listens.

Elwing had given Ilsë the names of her dead, of family she did not know she had. They are names without memories, for only her oldest uncle, his name changed unfamiliar to her, does she have a face to recall, a sound of a voice, and a feel of a hand. Her sorrow must be for lives cruelly ended and the lost opportunity to embrace them, as she was able to her distant cousin with the name of star-spray. But her grief is still potent.

"I am the aunt of Galathil, taken from us by elven blades. I am the niece of Elwë, taken from us by dwarven axes. I am the cousin of Lúthien, taken from us by the Gift of Men. I am the cousin of Dior, taken from us by elven blades. I am the cousin of Nimloth, taken from us by elven blades. I am the cousin of Elured, taken from us by elven malice. I am the cousin of Elurín, taken from us by elven malice."

Ilsë remembers the cold face of her uncle Olwë, of her king when she chose to board the ships that would carry her from Middle-earth. She thinks of her graceful Swan-ship, the delight of her seas, the darkness of her grief.

"I am the cousin of Uilon, taken from us by elven blades. I am the cousin of Airesarë, taken from us by elven blades. I am the aunt of Marillo, taken from us by elven blades."

Ilsë wants to rage at Ossë of her home, that she is the captain of her lost sailors, teacher of the ships’ captains, princess of her people. But the ship she stands on is festooned with the boughs of trees and sails towards the sun. It must be the vengeance before her to fill, not the grief behind her that cannot wash away. When she boarded the ships pulled by swans she told herself she was no longer a daughter, a sister, a princess of the family behind her. Now she sails to them.

"I am the cousin of Finrod, taken from us by the teeth of the Enemy’s wolves. I am the cousin of Angrod, taken from us by the Enemy’s fire. I am the cousin of Aegnor, taken from us by the Enemy’s fire. I am the cousin of Orodreth, taken from us by the Enemy’s worm. I am the cousin of Finduilas, taken from us by the Enemy’s orcs."

The saltwater on her face comes from the waves that wash up with each roll of the deck.

"I am the cousin of Elwing, who bids for my aid. I am the cousin of Elrond and Elros, her sons she cries for. I am the cousin of Celeborn, sapling of a beloved brother. I am the cousin of Artanis, last of my cousin Earwën’s children. I am the delight of Círdan, who taught me to swim. I am a child of water, that taught me to sing."

Ilsë’s throat is raw, and her voice has not the weight of power. The sea does not care, she tells herself, for how unlovely are the cries of gulls.

I am the captain of this ship, that will take me to that shore. I am the silver starlight that reflects in my family. I will not be the last of my family, nor hear and see more taken from me. When I was born, Uncle found the Valar that went after the Great Enemy, hunted down his monsters, and pulled him beaten from his throne. Now it is my turn to bring the Valar and their wrath, as terrible as the engulfing sea, to pull the Enemy from his throne. I will see him drown in the sea. Then I will have my family return to me.




Ilsë and her other sister appear in my family tree for the brother of Elu Thingol and Olwë, and thus the stories involving the Lindar, be they Sindar or Falmari. And there was little focus on any Falmari character, especially during the end of the First Age. She is darker and angrier then what I imagine the consensus in Alqualondë might be, but she has more than enough reason to be.

(My tentative fancast for Ilsë is Lin Beifong).


Beleriand drowns between the waves. Just whose doing is that?
heget: custom sigil in blue and gold (Default)








Disclaimer: Here is a blend of Original Tolkien creations (aka my best efforts at recreating the author’s drawing), modifications on the original, and designs completely from cloth. Previous Entries can be found under the sigil tag. Please credit if use.

In order:

Beren Erchamion, House of Bëor, House of Hador, House of Haleth

Notes:

Yes, I'm reposting these once more. Because if people in the Silmarillion/Tolkien fandom continue to use them, I want nice official links to them. And so another crosspost from tumblr project is born.
 

And because I started with Lúthien, I’ll continue with Beren Erchamion/Beren Camlost and the rest of the Houses of the Edain. All four are almost direct copies of Tolkien’s watercolors of the four sigils. The iconography of Beren is simple to understand: the black tri-peak of Thangorodrim before the horizon, the red hand he lost to Carcharoth, what is likely the Silmaril in the center, and the star of hope above.

It was hard to pick the precise and accurate hues and shades of color for Bëor off the scans of the original images. I went with muted colors I thought worked well. The dsign itself is very simple and abstract and follows elven instead of human symmetry (radial instead of vertical, probably Tolkien making a point of while the Hadorim superficially looked most elven, it was the Bëor with the greater spirituality).

I like to call the Hador sigil Conan the Color-blind. Eesh. Spears and mountains on a misty gray background.

For Haleth I removed the lines of green ‘vines’ on the nut-bearing tree because it destroyed the vertical symmetry and looked ugly. Therefore it’s not 100% accurate to Tolkien’s design.


heget: ingwion and banners of WoW (Vanyar WoW)
On the eve of the War of Wrath, Ingwion asks his father to be the one to lead the Vanyar in battle. Afterwards his family dinner highlights a hidden motive in his eagerness to journey to Beleriand.




"Let me lead the armies of our people," Ingwion petitioned to his father. "Let me stand for you and command our people when we cross the sea and wage this final war against the renegade as the Valar have commanded. I will do you proud and bring honor to our people. The Valar shall give only praise to our efforts." I am your son, let me prove it, Ingwion did not say, but knew that raw desire was what showed in his eyes and gave conviction to his words.

His father, Ingwë Ingweron, High King of all the Elves, did not reply immediately. It was rare for him to be in Valmar, to sit in state with the simple feathered crown of high kingship on his brow. The palace of the Vanyar in the foothills between the sprawling city of Valmar and the true slopes of the Pelóri Mountains did not often see its king in residence, and Ingwë seldom gave decrees from the throne room of Valmar. Back during the first few years when his people lived in Tirion among the Noldor, in the Mindon Eldaliéva where Ingwion was born but had few memories of, his father did not sit often in court and proclaim many laws. It was not the style of Ingwë Ingweron, for the will of the king was absolute among his people, and the Vanyar were loyal and obedient. In return the king asked little of them. Once they reached the safety of Valinor’s shores, he commanded of the elves only that they obeyed the strictures of the Valar who brought the elves to their land. For his part the king, once his children had grown, retreated often to the slopes of Taniquetil, the holiest of mountains, and there he meditated on the meanings of the world, wrote poetry and music famous throughout Valinor, and delighted in the antics of countless litters of cats. Ingwion thought fondly of those cats, and peace of the mountain retreat where the high winds sang purely, and the softness in his father’s large hands as he pointed out the beauty of their home.

It was that peace, that love, that begged to Ingwion to convince his father to allow him to take command of their forces.

Ingwë was in Valmar now, having come for the feast of the Lord of the West. That great feast had been interrupted by the Peredhel mariner from the Hinder Lands, the one that had finally turned all of Valinor into frantic motion. During the excitement that followed, there was no lack of intention in the king of all elves to be absent while such momentous decisions were made. Ingwë sat with the herald at the Elder King’s side to listen to the mariner’s plea and approve the new plan for his people. The raising of Vingilot and the Silmaril aboard it was herald of their intentions and a warning to their foes that all the might of the West had not forgotten.

The Valar said now the time was now ripe to go to war against the Black Foe. The Vanyar must gather old weapons and forge new, this time with the wisdom of the Maiar to guide them. All that wished to hearken to the Valar and the Blessed Mariner must go - but there was still need for some to remain in Valinor. The Lords of the West would not leave their homes, their backs, unprotected. And Ingwion wished to be the one to go, not stay.

Ingwë nodded slowly, but did not yet speak.

Ingwion glanced to his mother. Ravennë, queen of the Vanyar ever since her father had been defeated by Ingwë back in the time of Cuiviénen when the Minyar had decided if to listen or not to the ambassador of the Valar and march to Valinor, smiled. It was not a gentle smile, but then little of Ravennë was gentle even in the ages of peace of Aman. Lionesses of her namesake glinted in gold thread of her gown and upon the combs in her hair, shining in the light of Anar and asserting her power. Ravennë needed no crown to proclaim her rule, for with Ingwion’s father often away from Valmar, meditating in solitude in his monastery atop Taniquetil’s slopes, the queen of the Vanyar handled the day-to-day affairs. Since his majority Ingwion had joined his mother and two older sisters in the task of rule. He felt confident of his abilities to lead his people. So he told himself as he met his mother’s dark purple eyes.

Ravennë leaned over to his father and murmured low into his ear.

Ingwion hoped it was in praise of him, knew it must, stood tall and proud and prayed he honored his name.

"You will lead our people with wisdom and glory," Ingwë said, his voice like the slow rumble of rocks crashing down the mountainside. "As my son, raised well in the embrace of the Valar, a source of great pride to myself and your mother, we see no other outcome. Go with our blessing, Ingwion."

Exultant joy coursed through Ingwion, which he knew was readable on his face, but did not care. He felt as if again a young boy not a century grown, crowing the victory songs of how his father had defeated the old first chieftain of the Vanyar back in the days of darkness. Of a victory unblemished to lead all the people of his tribe to the land of the Valar, of how when his father had washed the blood off his body with the water of Cuiviénen’s lake, there had been no mark from the enemy’s weapon. Boastful songs, war songs, songs Ingwion wanted for himself. Songs he wanted to sing to the stars of the Outer Lands, so no songs of sorrow or woe or defeat would echo through the mountain passes of his home.

When he returned to his wife, Laitissë, he told her of what his father had agreed, and that more-so they were expected to attend a private meal tonight with the royal family. Their two young children were welcome to join, as would any family that was in the palace at the moment. His wife smiled, though he made no mention of the faint hints of red at the corner of her eyes. “Helinë and Ingil will be pleased to see their grandfather. It is so rare for him to be in the palace at Valmar instead of his retreat on Taniquetil.” And to spend time with you, she did not say, for which Ingwion found himself grateful. His wife had not decided if she would be joining the armies, for Ingil was not fifty. Their eldest child trained with the phalanx, questioning Oromë on how to turn the spear wall into a defense from all angles. Laitissë was a fine wielder of spears as well, and more importantly a loud voice that did not panic or react with rashness under pressure. Ingwion wanted her strength at his side during the war, but wondered if he should ask her to stay and guard the homeland with his father and mother. He had not, for he also felt that would be an insult to her commitment and devotion to the Valar. And Ingwion was honest with himself. The presence of his wife made him less nervous.




Read more... )
heget: custom sigil in blue and gold (Default)





Disclaimer: Here is a blend of Original Tolkien creations (aka my best efforts at recreating the author’s drawing), modifications on the original, and designs completely from cloth. Previous Entries can be found under the sigil tag. Please credit if use.

In order:

Ingwë 01, Ingwë 02, Indis, Imin

Notes:

Yes, I'm reposting these once more. Because if people in the Silmarillion/Tolkien fandom continue to use them, I want nice official links to them. And so another crosspost from tumblr project is born.

I needed sigils and flags for the Vanyar but especially the first Eldar royal family, and I think it took me over a year and four design overhauls before I had something I was satisfied with and didn’t look too out of place with the few Tolkien originals. If you are wondering, here's what one of last rounds of these late designs were:

I had two constants during the numerous redesigns:
  • the color scheme : shades of yellow and gold on white
  • the number of points touching the edge for Ingwë himself (Elven hierarchy had 8 points for a king, Finwë as Noldor High King had 16, so logically Ingwë as High King of All Elves has …32)
The final design I decided on was very sunflower, but it pairs nicely with all the white and gold trimmed banners. For Ingwë I made two versions of the first device because I couldn’t decide on which color variation. One then is officially for Ingwë and the other can be for his sons. Indis was simple in that I cut the device to fit into a circle instead of the square lozenge and modified the elements slightly, adding some sky blue for reasons connected to Finwë.
Then after writing enough arrogant golden haired lions of Valmar, I made a third variation on Ingwë's sigil and named it Imin.
heget: My Little Quendi - Nightingale and Bold (MLQ)
 What is this? it started with a tumblr post where Elleth and adenydd remarked on the translation of Idril Celebrindal's name, Sparkling Brilliance, as that akin to a My Little Pony. Knowing of a third party MLQ maker, I chimed in. Especially as it allowed to make custom cutie marks, and I was making sigils. 

And thus I took a joke, continued it via fanart of a pretend children's cartoon of the Silmarillion staring ponies, and then ran it into the ground and beat the dead horse some more.



Here will be the master list. For the first post I will also include the subsequent later recreation of the scene in a crude gif format so you can see the change in formatting. No, there was never any flash animation. But a lot of puns.

And no, I was never in the MLP:FM fandom. Or watched more than two or three episodes.


MASTER LIST of My Little Quendi
  1. Meet the Parents in Manyhalls Palace
  2. Friendship Is Amputation
  3. The Song Duel
  4. Crossing the Grinding Ice
  5. The Adventures of Iron-grip and Rage Bunny, with a dose of Moth and Flame
  6. Quality Girl Gossip
  7. The Lonely Hill
  8. Happy Harper Makes New Friends
  9. A Collection of Scenes involving the Best Family from Star-dusk Woods
  10. Back Home
  11. Return to Manyhalls Palace
  12. Things Take a Turn for the Worst: World’s Worst Wingman
  13. I’m on a Boat!
  14. Brothers Divided
  15. Hey, I Need That Book
  16. Family Outing to Swanhaven
  17. Honey, We’re Going on an Adventure
  18. Part 2 of “Back Home”: Catastrophes at Court
  19. Happy Father’s Day: Part One, Part Two, addendum to Part Two
  20. Mama Seagull
  21. The Credits Gags with Mistress Sun and Mister Moon
  22. Sunset on the First Age
  23. And There Suddenly He Heard the Song of Nightingales
  24. What Did You Think of the Party?
  25. Spying on Mortal Love
  26. Tug-of-War
  27. Nightingale! Nightingale! - the Big Damn Episode
  28. Things Take a Turn for the Worst: Defiant to a Dragon
  29. She Sought His Bones But All Was Ashes
  30. DVD Bonus: Debate of Friendly Golden-wise and Patience
  31. Dawn of the Second Age: “Morning Star! Get Off That Sheep!”
heget: My Little Quendi - Nightingale and Bold (MLQ)

On today's episode of My Little Quendi: Friendship is Magic, the lesson everyone learns is that it’s best to just give Princess Enchantress Nightingale what she wants.

Yeah, at this point I don’t even care.



And to show how far I developed this -and to highlight how much my backgrounds improved, here's this scene more or less in animated form made over a year later:





Aside from gifs I removed the speech bubbles and went with translated/silly names instead of canon.





heget: My Little Quendi - Nightingale and Bold (MLQ)





Just wouldn’t be proper unless I showed a screen-cap from the acclaimed second season finale episode of My Little Quendi, “Friendship is Amputation”.

this is the only post in this series to feature a Fëanorian, btw, and solely because the pun was too great.
heget: My Little Quendi - Nightingale and Bold (MLQ)





There’s always at least one song per episode on My Little Quendi: Friendship is Magic.

Today’s episode was a magic song duel.
heget: My Little Quendi - Nightingale and Bold (MLQ)






Many tears were shed (by viewers as well) during the Grinding Ice episode, when the daddy of little Sparkling Brilliance Silverhoof had to explain why Momma wasn’t coming with them to Beleriand anymore.
heget: My Little Quendi - Nightingale and Bold (MLQ)


Technically this is bizarre fanart for my own fic. Fell Fire pursues the enemy while followed by his brother, Iron-grip, and their mortal pony friend, Fierceness. The true source of Fell Fire's worry and anger is his doomed and unrequited romance with Patience Wiseheart. The story symbolically uses a candle and moth motif for them.

heget: My Little Quendi - Nightingale and Bold (MLQ)

   

“Sometimes not everyone gets a happy ending.

Sometimes the goods guys cannot save everyone, no matter how hard they try.

Sometimes friendship is only the memory.”

It was bad enough to sob through the last fifteen minutes of the episode, from Green Willow’s last stand, to King Greycloak’s desperate foe-tossing charge only to arrive too late, but then the writers have in the last five minutes King Greycloak tells his little nephews, Shining Tree and Silver Tree, that they were now orphans. The last scene was a flashback showing how happy the Grey Ponies were to be reunited with new friends in the Green Forest Ponies.

…I think this show’s writer is a sadist.

heget: My Little Quendi - Nightingale and Bold (MLQ)


My Little Quendi has returned for a new season, taking advantage of the show-runner’s side project involving sigils for some improved cutie marks. By popular demand, the bonus feature on one of the DVDs includes the short animated segment of the Philosophical Discussion of Friendly Goldenwise and Patience Wisdom. This is a kid’s show (supposedly), so of course good will defeat evil. And the subtitle of this show is ‘Friendship is Magic’, so yes, we will remain friends even unto the end of the universe. Wait for us.

...I think this was a gift/request for [personal profile] anghraine 
heget: My Little Quendi - Nightingale and Bold (MLQ)
Warning: This one is long, so please click the thumbnail to see all the details:



Today’s episode of My Little Quendi: Friendship is Magic was a real treat, because we got a chance to go back to the kingdom from the first season and see what’s happening back home with the ponies than didn’t take the trip. A couple cameos from the wives and widows, and Oceanina is happy that unlike her in-laws she doesn’t have to complain about a dumb husband leaving her.

(From left to right: Anairë, Indis, Nerdanel, Findis, Amarië, Maglor's wife, unnamed Noldor, Mahtan, Eärwen, Finarfin)
heget: My Little Quendi - Nightingale and Bold (MLQ)
In the same episode ("Back Home") where the wise and talented sculptress rants about her ex-husband and the family left behind by the Wise Ponies who went to the Eastern Shore complain or cry, depending on temperament, we also get a rare glimpse into what is happening at the Palace of the First Ponies, aka the Light Ponies aka the Pretty Ponies.

It's a catastrophe.


(click to enlarge)

Suffice to say, the High King of All the Ponies is obsessed with his pets, to the dismay of his court.

We end the episode with a quick cut back to the White Tower Palace.

“And that,” says Her Highness, “is why I stay here and put up with all the customs, feuds, and ridiculous drama of the Jewel Ponies. I’m severely allergic to cat hair.”



(kid's show. she's not making a dick joke.)
heget: custom sigil for Andreth, wisteria (andreth)
The Gift of Men



Nóm has many questions, but he never asks about the wreath Andreth wears in her hair, the white berries of the mistletoe, the needles of the yew, the star-like purple nightshade flowers, and the white clusters of celery or carrot in place of the water dropwort. White flowers and white berries are popular to make into flower wreathes to crown a head, and the bright purple and yellow of the wise-woman’s flowers show dramatically against her dark hair. Perhaps he thinks they were chosen for their beauty. It is the same wreath that Adanel wears, and every Wisewoman before her, the mistletoe and yew and many changing flowers. Andreth weaves in the bright yellow flowers of the golden chain tree, for they are easy to find and pair nicely.

The dangers of the starving years on grass peas, how fearful her people were when they no longer had even the vetches with their tiny blue flowers to survive on, are long gone. Now only the animals eat it, mixed in with rich grains, fat off the summer grass in the highlands. That her people even have cattle and herd animals is thanks to the generosity and protection of Nóm, of Lord Finrod. But no longer do they fear the wasting paralysis from the only food that would grow in famine and drought, even if Adanel adds their tiny flowers to her own wreath in remembrance.

Andreth touches the wreath and wonders if he does not know all are deadly to eat, but then he is an elf. Perhaps he knows and says nothing, as all his kindness.

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heget: custom sigil in blue and gold (Default)
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